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THE WOLF'S WHISTLE

Makes The True Story of the Three Little Pigs (1989) look positively wholesome in comparison.

In this “origins” tale, a slug of liquid courage prompts nerdy Albert the wolf to seek justice as a costumed superhero against the three porcine Honeyroast brothers and their gangster dad Al Prosciutto.

Years after being bullied by the Honeyroasts at the Snobtown Academy, Albert has grown up to realize his dream of working for Wonder Comics (albeit as a janitor). Albert no sooner learns that his former nemeses are living high off the hog than a suspicious fire in one of their buildings kills all of his school buddies. Predictably depressed, he is fired up after a hobo offers a drink from a bottle in a brown paper bag (“It’s mighty powerful stuff. It’ll give you all the strength you’ll ever need…”). He dons a mask and cape made in his youth and sets out “to topple the towers of tyranny and to huff and puff and blow all asunder who stood in the way of righteousness.” Lie pairs cramped-looking blocks of small type with full-page or multi-paneled cartoon illustrations infused with murky red tones and printed on rough paper in grainy textures, giving them a dim, pulpy, retro look. “Yes, Albert would become the Lone Wolf,” the author concludes. “Hear his whistle.”

Makes The True Story of the Three Little Pigs (1989) look positively wholesome in comparison. (Picture book. 14 & up)

Pub Date: May 8, 2012

ISBN: 978-1-907704-03-1

Page Count: 32

Publisher: Nobrow Ltd.

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: May 1, 2012

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DREAMS ARE MORE REAL THAN BATHTUBS

The dream phantasms of a high-spirited narrator intersect, even crowd, reality, but the stream-of-consciousness text makes for a rambling, radically personal tale. Playful images of a stuffed lion, trampoline, purple shoes, and a cat named Pine-Cone take hold in a young girl’s imagination, despite her “old” mother who makes her go to bed when she’d rather “stay up early” and a big sister with a cranky disposition. At home, she likes counting flea bites and pretending to be a worm, but is afraid of the dark and going to Grade One. The second half of the book takes off in a separate first-day-of school direction. Wild dreams precede the big day, which includes bullies on the playground and instant friend Chelsea. The childlike articulations of the text are endearing, but not quite of universal interest, and don’t add up to a compelling story; children may more readily warm to Gay’s illustrations, which include a dreamlike flying cat, a menacing hot dog, and an uproarious stuffed toy looming over everyday domestic scenes. (Picture book. 4-7)

Pub Date: Feb. 15, 1999

ISBN: 1-55143-107-6

Page Count: 32

Publisher: Orca

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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AKIKO ON THE PLANET SMOO

Opening episodes of a comic-book series created by an American teacher in Japan take a leap into chapter-book format, with only partial success. Resembling—in occasional illustrations—a button-eyed, juvenile Olive Oyl, Akiko, 10, is persuaded by a pair of aliens named Bip and Bop to climb out her high-rise bedroom’s window for a trip to M&M-shaped Planet Smoo, where Prince Fropstoppit has been kidnapped by widely feared villainness Alia Rellaport. Along with an assortment of contentious sidekicks, including brainy Mr. Beeba, Akiko battles Sky Pirates and video-game-style monsters in prolonged scenes of cartoony violence, displaying resilience, courage, and leadership ability, but not getting very far in her rescue attempt; in fact, the story cuts off so abruptly, with so little of the quest completed, and at a lull in the action to boot, that readers expecting a self-contained (forget complete) story are likely to feel cheated. (Fiction. 10-12)

Pub Date: Feb. 8, 2000

ISBN: 0-385-32724-2

Page Count: 162

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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