A propulsive read marred by unanswered questions.
Contestants on a survival reality show face unforeseen challenges.
Like her main character, Braverman used to work for an adventure camping outfit, described in her debut memoir, Welcome to the Goddamn Ice Cube (2016), and her wilderness know-how is put to good use in her first novel. Mara is pretty sure she has what it takes to make it through six weeks in the great outdoors—she grew up off the grid, she teaches survival skills, she lives in a dilapidated trailer deep in the woods—and the $100,000 purse waiting at the end of the season is just what she needs to leave her boyfriend and start fresh. She's one of five people cast in Civilization, dropped by helicopter into a lake in the middle of the wilderness—they don't know where—wearing clothes that could be described as "fast-fashion prehistoric, canvas tunics and matching shorts, all dyed a dusty brown. And sandals made of thin leather, so they had to walk delicately, toe first, like girls playing fairies. The idea was that they’d find one another in the wilderness, this group of strangers, and over the course of six weeks would be tasked with building a new kind of community, something pure and sustainable and right." But before community, there's food, shelter, warmth, and wild animals to worry about—along with some unexpected elements thrown into the mix by the producer, who's a real jerk, and the crew, one of whom is sweet on Mara. Mara is willing to play that game, for what it’s worth, but finds herself intensely drawn to Ashley, the only other woman in the group, clearly chosen for her magazineworthy looks rather than any scoutworthy aptitude. Braverman does a great job of developing the characters, building suspense and raising the stakes, but leaves the reader unhappily perplexed about some critical matters.
A propulsive read marred by unanswered questions.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-306617-5
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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