A propulsive read marred by unanswered questions.
Contestants on a survival reality show face unforeseen challenges.
Like her main character, Braverman used to work for an adventure camping outfit, described in her debut memoir, Welcome to the Goddamn Ice Cube (2016), and her wilderness know-how is put to good use in her first novel. Mara is pretty sure she has what it takes to make it through six weeks in the great outdoors—she grew up off the grid, she teaches survival skills, she lives in a dilapidated trailer deep in the woods—and the $100,000 purse waiting at the end of the season is just what she needs to leave her boyfriend and start fresh. She's one of five people cast in Civilization, dropped by helicopter into a lake in the middle of the wilderness—they don't know where—wearing clothes that could be described as "fast-fashion prehistoric, canvas tunics and matching shorts, all dyed a dusty brown. And sandals made of thin leather, so they had to walk delicately, toe first, like girls playing fairies. The idea was that they’d find one another in the wilderness, this group of strangers, and over the course of six weeks would be tasked with building a new kind of community, something pure and sustainable and right." But before community, there's food, shelter, warmth, and wild animals to worry about—along with some unexpected elements thrown into the mix by the producer, who's a real jerk, and the crew, one of whom is sweet on Mara. Mara is willing to play that game, for what it’s worth, but finds herself intensely drawn to Ashley, the only other woman in the group, clearly chosen for her magazineworthy looks rather than any scoutworthy aptitude. Braverman does a great job of developing the characters, building suspense and raising the stakes, but leaves the reader unhappily perplexed about some critical matters.
A propulsive read marred by unanswered questions.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-306617-5
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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