A remarkable exploration of what it is to believe, to lose, and to start again.
Hurley probes the complexities of religious extremism, fraught family relationships, and the legacies of abuse in her subtle but engrossing second novel.
Nora is a hospice nurse struggling to come to terms with life outside the apocalyptic Christian cult in which she was raised. The cult leader, Nora’s father, teaches that “once the sin is in you, it only ever goes deeper,” and the relationship between faith and fear is arguably the core of the novel, which Hurley explores with deep empathy. The combination of a declining economy and increasingly volatile political milieu leads a group of disaffected people to come together to search for a better life. Hurley writes that the “plagues” of the contemporary U.S. are “amorphous and baffling: job losses, opioids, deaths of despair”—and shows how these systemic failures can be used to manipulate desperate people. Nora speaks in tongues to the growing cult, foreseeing the end of the world and promising that by following her father, they’ll be led to salvation. When the group relocates to the remote wilderness of Michigan’s Upper Peninsula, Hurley captures the area's harsh natural beauty in glorious prose, providing the reader some respite in a novel with very few points of light. The visceral descriptions of the cult’s survival techniques—hunting, boiling pine needles for protein, making herbal treatments for beaten women—draw the reader into the dark, insular world hidden among the trees. Hurley’s writing is beguiling, working analogously to the rhetoric of the cult. Even as the reader witnesses the manipulations, lies, and performances, it’s clear how familiarity, family, and isolation work to draw lost souls in. Nora’s eventual escape, her life in Chicago, and battle to stay away from the remaining cult members speak to the ways trauma haunts people. By paying specific attention to the misogyny Nora experiences during and after her time in the cult, Hurley exposes the violence done to women as ubiquitous—and categorically not limited to secular society. This is a deeply intimate novel, capturing what is in essence a survivor’s tale.
A remarkable exploration of what it is to believe, to lose, and to start again.Pub Date: April 18, 2023
ISBN: 9781632461490
Page Count: 280
Publisher: Ig Publishing
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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