Next book

GARCIA

AN AMERICAN LIFE

Veteran music writer Blair has fashioned a moving and insightful biography of Grateful Dead leader Jerry Garcia by focusing on the most important and enduring part of his legacy: his music. For three decades the Dead remained one of the most interesting and daring music ensembles around. Garcia himself over that time sustained a level of artistry and innovation as a musician and composer rare in 20th-century music history. Skillfully weaving these themes within the personal events of Garcia’s life, including his 14 years as a junkie, and the social history that Garcia both witnessed and helped bring to life—from the halcyon days of Haight-Ashbury to the phenomenon of the Deadheads of the 1980s—Jackson produces perhaps as clear an understanding of the man as we are likely to get. Originally a bluegrass banjo player, Garcia brought to the Dead the conversational nature of bluegrass, the need within that music for the instruments to talk to one another. Going electric and joining with sympathetic players allowed for Garcia an infinite expansion of that original “conversational” insight. Playing at LSD-inspired gatherings in San Francisco, and taking plenty of LSD themselves further extended the Dead’s proclivity for improvisation (and Garcia’s proclivity for drug taking) and allowed them to learn how to do it well. Particularly interesting here is the story of Garcia’s relationship with lyricist Robert Hunter (he of the often cryptic lyrics on foreboding and death), of how that relationship developed over a generation, how Hunter could say what Garcia felt. Theirs was a much underappreciated musical collaboration. There are also side trips to Garcia’s many musical explorations outside of the Dead, from country to jazz to R&B. Garcia emerges in the end as a flawed genius, whose personal demons, especially drugs, inspired his music, eventually weakened it, and finally silenced it. Yet the book is an unapologetic celebration of Garcia’s life rather than a lament on his death. Fine reading on a most curious American life. (Author tour)

Pub Date: Aug. 16, 1999

ISBN: 0-670-88660-2

Page Count: 512

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview