Worthy of Studs Terkel and an essential addition to the books of the Dead.
Coming on its 50th anniversary and just after the band’s farewell tour, an engaging, near-comprehensive oral history of the Grateful Dead.
If “the Grateful Dead” and “disco” are not phrases that go together, it’s not for want of their trying. As Jackson (Grateful Dead Gear—The Band's Instruments, Sound Systems, and Recording Sessions, from 1965 to 1995, 2006, etc.) and musician Gans (Conversations with the Dead: The Grateful Dead Interview Book, 1991, etc.)—collectors and archivists who know as much as nearly anyone alive about the storied band—chronicle, midway into the 1970s, with albums such as “From the Mars Hotel” and “Wake of the Flood" under their belts, the Dead were enough under the sway of Saturday Night Fever to attempt a disco-ish take on “Dancing in the Street.” Chalk it up to Mickey Hart, one of the many thorns in this thorny narrative hide, whose return to the band wrought big changes. “We had to tell him [what to play],” said guitarist Bob Weir in 1977, “which means we had to be thinking about it, which means while we were thinking about it, we might as well rethink things in general.” As fans already know but will further note, the superficially peace-and-love demeanor of the Dead disguised all sorts of tensions, from personality clashes to money worries and differences over musical direction. But it all worked, despite Jerry Garcia’s drug use and increasingly erratic behavior. Says sound tech Bob Bralove, “The energy around [the last tour with Garcia] was kind of confusing, because there was this really positive energy coming from the band, but it was missing a key ingredient.” For all that, there’s plenty of peace and love here and lots of smoke and psychedelia, as well as the usual Altamont regrets, all voiced by people in and close to the band.
Worthy of Studs Terkel and an essential addition to the books of the Dead.Pub Date: Nov. 10, 2015
ISBN: 978-1-250-05856-0
Page Count: 528
Publisher: Flatiron Books
Review Posted Online: Aug. 14, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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