A solid, positive animal tale for budding environmentalists.
Two young girls help sea turtles by collecting plastic from the ocean in this debut picture book.
Sadie and Josie—two blond, blue-eyed White girls who appear to be preschoolers—live on a sailboat. After a windy night, their sea turtle friend, Fig, asks them for help: “Holy anchovies! There’s trouble in Jellyfish Alley!” After enlisting their parents, the girls dive down to discover the problem. The wind sent too many plastic grocery bags into the water, and the sea turtles are mistaking them for jellyfish. The girls and their mother help free the turtles and collect the garbage. Not stopping with solving the immediate problem, the family tackles the larger issue, making signs to get the community involved and writing letters to legislators. Based on the true story of Williamson’s trash-collecting efforts with her daughters (the real Sadie and Josie), the book includes a thank-you note from the girls to all the readers who help out. The author helpfully provides action items for readers unsure about how to start. But the simple text is at times a little too whimsical. The sea turtles all speak English, and the girls can talk underwater, both of which undermine the realistic message. But Holovchenko’s gorgeous paintings reaffirm the realism in her detailed turtles and wildlife. Newly independent readers will only find a few challenging words. In addition, there are plenty of clues in the pictures to help them figure out the story.
A solid, positive animal tale for budding environmentalists.Pub Date: Nov. 16, 2022
ISBN: 978-1662932489
Page Count: 34
Publisher: Island Writer Press
Review Posted Online: Jan. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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