Next book

ORDINARY GIRLS

This wise, funny, thoroughly contemporary coming-of-age tale earns bonus points for acing the Bechdel test.

Self-contained, responsible Plum, long eclipsed by her brilliant, exhausting older sister, Ginny, breaks free when domestic disasters reshape the family landscape.

The sisters’ beloved Victorian home needs costly maintenance. That’s not happening on their artist mother’s teaching income and book royalties, even with a paying tenant. Their deceased father’s life-insurance payout covers tuition at the girls’ Philadelphia private school. Financial stress aside, the all-white, all-female trio, plus pets, is close-knit, though Ginny, a senior whose Ivy League hopes rest on winning a hefty scholarship, feels overwhelmed. Plum, 15—shy at school, assertive at home—soothes her, shouldering household tasks Ginny’s too agitated or busy for and their distracted mother overlooks. As they’re coping with a financial blow that coincides with a plumbing emergency, Ginny ditches her family for Thanksgiving. Feeling abandoned, Plum keeps her hesitant, fledging friendship with outgoing, popular Tate Kurokawa (implied biracial white Jewish/Japanese), her social opposite, secret. When she’s hired to tutor Tate, their awkward, confusing affinity grows. The sisters’ relationship—what pulls them apart, what draws them together when their connection is strained—is the story’s beating heart. While there’s romance, this is no pink-coded, Austen retread but a well-told, universally human—regardless of gender—tale about teens discovering who they are, where they want to go, and how to get there.

This wise, funny, thoroughly contemporary coming-of-age tale earns bonus points for acing the Bechdel test. (Fiction. 13-18)

Pub Date: June 4, 2019

ISBN: 978-0-06-244781-4

Page Count: 368

Publisher: HarperTeen

Review Posted Online: March 6, 2019

Kirkus Reviews Issue: April 1, 2019

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview