The bildungsroman never goes out of style, and Nelson still executes it well, if predictably.

BOY

An affluent white teenage boy begins to question his place in his peer group after an odd new girl challenges his assumptions.

Sophomore Gavin Meeks is “one of the popular kids” at Evergreen High School in Portland, Oregon. His hobbies and dating choices are mostly based on his friends’ opinions and his family’s wealth. Everything changes when he meets Antoinette Renwick, a white girl who smokes, “dresses like a freak,” and had a brother who committed suicide. At first, Gavin can’t imagine being friends with her. But once he spends more time with Antoinette, he realizes that she “wasn’t just some pissed-off teenager. She had a plan…and the rest of it: high school, social life, teachers, parents…it was just noise to her.” Antoinette is the catalyst that initiates Gavin’s transformation from privileged tennis player to thoughtful photographer. Gavin knows he’s in love. But can Antoinette ever be in love with someone like him? Nelson returns to his now-familiar, linear plot of a clueless suburban teen awakening to the world’s complications under the influence of a quirky outsider. While references to Facebook may seem dated, Nelson gives a nod to the current cultural context when Gavin tries to photograph an angry protest that erupts as a result of a police shooting of an African-American teenager.

The bildungsroman never goes out of style, and Nelson still executes it well, if predictably. (Fiction. 13-18)

Pub Date: June 6, 2017

ISBN: 978-1-4814-8813-6

Page Count: 368

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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