This little gem elicits a sense of deep-seated comfort and refuge for these uncertain times.
A little yellow bird is grounded in the snow with a broken leg when a child and their abuela rescue it.
Cupping it gently in her hands, Abuela takes the bird home and sets its leg while her grandchild eagerly looks on. Settling the bird in a domed cage, they both care for it until, soon, the bird is flying around the house—to the child’s delight and the cat’s frustration. The day comes to release the healed bird, and the child waves it on its way as it flies over the city. But one spring day a familiar sight greets them—their winged friend has returned. Although the child yearns to keep it, Abuela soothingly reminds her grandchild that the bird belongs to itself and has the right to fly free. But Abuela constructs a sturdy birdhouse from a blueprint and mounts it beside the balcony door—an implicit invitation for future visits. Spanish author/illustrator Gómez’s semiautobiographical tribute to her own abuela is a charming window into an idyllic childhood infused with love for all living things. The simple, flowing first-person narrative flits from page to page in a gentle lilting commentary on harmony and respect. Gómez’s carefully constructed images, from the well-tended profusion of plants to the child-sized chair and mouse toy, are whimsically detailed and subtly compelling. Both child and Abuela have light-brown skin. A Spanish-language edition, Un pájaro en casa, publishes simultaneously. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at actual size.)
This little gem elicits a sense of deep-seated comfort and refuge for these uncertain times. (Picture book. 4-7)Pub Date: April 20, 2021
ISBN: 978-1-4197-4408-2
Page Count: 32
Publisher: Abrams
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
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