Genial and satisfying in its sweet, childlike simplicity.
Madrid resident, author, and illustrator Gómez delivers yet another delightful picture book reflecting childhood’s simple joys.
A young, brown-skinned girl is eager to show off her homemade rabbit get-up at her class’s upcoming costume party. Unfortunately, on the big day, she wakes up sick, so she has to stay home, much to her chagrin. Feeling better the next day, she dons her rabbit costume upon her mother’s suggestion, then eagerly heads to school. Her schoolmates’ reception, however, is less than ideal—students stare, point, and laugh. A moving, wordless double-page spread shows the protagonist running away from the playground in embarrassment. But when Hugo, who also missed the costume party, arrives wearing a carrot costume—“seriously!”—a game of rabbit-chases-the-carrot begins, and soon everyone wants to join the fun. The text is inflected with Spanish colloquialisms (cole, conejito, tenía tantas ganas, genial) from beginning to heartfelt end. The translation in the simultaneously published English edition is somewhat choppy and doesn't do the original Spanish edition justice. The charming paper collage and digital illustrations have a flat rendering style reminiscent of child art and faithfully capture the distinctive gestures and deeply felt emotions of young children. The book’s artwork includes diverse representation. (This review was updated for accuracy.)
Genial and satisfying in its sweet, childlike simplicity. (Spanish language picture book. 4-7)Pub Date: March 22, 2022
ISBN: 978-1-4197-5858-4
Page Count: 40
Publisher: Abrams
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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