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MY TOTEM CAME CALLING

Despite a promising hook and some interesting core ingredients, this book fails to deliver on its full potential.

Seventeen-year-old Chanda keeps seeing a zebra—her sacred totem that represents her kinship to others who share it.

This, combined with her frequent lapses in memory, make her parents consider institutionalization in a hospital. Chanda turns to an aunt who advises her to go back to her family’s village to get the answers and cure she needs. The journey proves more taxing than Chanda anticipated, and going from her privileged urban life in Harare, Zimbabwe, to rural Gumindoga is more than Chanda feels she can bear; she wants to leave almost immediately. However, it seems destiny has plans for her, and she is again reminded of how little she can control when she tries to leave. Chanda's story touches on the duality of and relationship between modern Western vs. holistic traditional approaches and attitudes to mental health and medical conditions. The novel would have benefited from a better developed plot and characters whose relationships exhibited greater depth, both of which would have made the conclusion feel more climactic. The uneven pacing results in insufficient attention being paid to scenes that bear relevance to Chanda’s problems. The central themes—that we are more connected than we may realize and that unlearned history is bound to repeat itself—do not feel fully fleshed out. Chanda and her family are Shona.

Despite a promising hook and some interesting core ingredients, this book fails to deliver on its full potential. (Fiction. 13-adult)

Pub Date: Sept. 30, 2019

ISBN: 978-1-988449-75-3

Page Count: 176

Publisher: Mawenzi House

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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SOLO

A contemporary hero’s journey, brilliantly told.

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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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