ANTS RULE

THE LONG AND SHORT OF IT

A quirky approach to math that should spur divergent thinking

Ants as a unit of measurement?

In Barner’s wonderful, Eric Carle–like collages, ants are 1 inch long (as represented with yellow-and-black rulers that run along the bottoms of some pages). The ants are compared to other insects (familiarly called “bugs”) in charts, graphs, and different presentations of data. Words and pictures are used to help young learners make size comparisons. As the ants create an amusement-park ride for the Blowout Bug Jamboree, they busily measure their friends: “Caterpillar is four ants long. Bee is two ants long. Ladybug is one ant long.” These size relationships are presented on a chart and then discussed in dialogue bubbles by the ants. For the youngest mathematicians, this repetition will reinforce the concept. Older kids in this age group or those readers who grasp new ideas quickly may get bored, but then new insects are introduced, and the illustrations in varied formats will keep viewers involved. A pie chart showing the number of insects that will attend the jamboree helps to answer the question: “How many of each kind of bug will come?” The answer is used by the industrious ants to construct their masterpiece, brilliantly rolled out in a gatefold at the end of the book: a Blowout Bug Jamboree Buggy-go-round! (Unfortunately, one ladybug seems to be missing.)

A quirky approach to math that should spur divergent thinking . (Informational picture book. 3-6)

Pub Date: April 1, 2017

ISBN: 978-0-8234-3660-6

Page Count: 40

Publisher: Holiday House

Review Posted Online: Jan. 31, 2017

Kirkus Reviews Issue: Feb. 15, 2017

IN A GARDEN

Like its subject: full of bustling life yet peaceful.

Life buzzes in a community garden.

Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.

Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)

Pub Date: Feb. 18, 2020

ISBN: 978-1-5344-1797-7

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

TAP THE MAGIC TREE

A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries.

Matheson invites readers to take an apple tree through a seasonal round using taps and page turns in place of touch-screens.

“There’s magic in this bare brown tree. / Tap it once. / Turn the page to see.” Making the resemblance to a tablet app even more apparent, the tissue-collage leaves, flowers and fruits that grow, mature and fall in succession on the scaffolding of branches “appear” following cued shakes, pats, blown breaths, claps and gestures as well as simple taps. The tree, suspended in white space on each spread, is all there is to see (until a pair of nesting bluebirds fly in at the end)—so that even very young children will easily follow its changes through spring, summer and winter dormancy to a fresh spring. Like the print version of Hervé Tullet’s Press Here (2011), from which this plainly takes its inspiration, the illusion of interactivity exercises a reader’s imagination in ways that digital media do not. Still, the overall result is more an imitation of an app than a creative use of ink, paper and physical design.

A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries. (Picture book. 3-6)

Pub Date: Sept. 1, 2013

ISBN: 978-0-06-227445-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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