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CRASH, SPLASH, OR MOO!

All the interaction of an Hervé Tullet book, with a flying clam, a hyperactive monkey, and a cow all thrown in for good...

The spirit of Evel Knievel is alive and well in this retro game show, restructured for the storytime set.

A blue monkey, bedecked in a purple suit clearly filched from Willy Wonka’s tailor, invites readers to play a guessing game. Will the daredevils featured in this book crash, splash, or moo in a given situation? The brave souls in question consist of Action Clam (“America’s favorite splashin’, crashin’ stunt clam!”) and an ordinary cow. As for the stunts, they include being shot from a cannon into a glass of water, leaping over 10 school buses on a motorcycle, and one that involves piñatas, a rocket pack, and an enormous tub of butterscotch pudding. It’s clearly written with storytimes in mind, and child readers are encouraged to raise their hands as they vote on what they believe the contestants will do in any given situation. Kids will eat up the humor even as they bask in the knowledge that they’re smarter than their host, Mr. McMonkey. Shea rocks a euphoric chaos, deploying both copious negative space and a pop-art sensibility. And thanks to the visible palette of yellow, red, and blue, this is one read-aloud that will be easy to see across a crowded room.

All the interaction of an Hervé Tullet book, with a flying clam, a hyperactive monkey, and a cow all thrown in for good measure. (Picture book. 4-7)

Pub Date: Sept. 18, 2018

ISBN: 978-0-316-48301-8

Page Count: 48

Publisher: Little, Brown

Review Posted Online: June 23, 2018

Kirkus Reviews Issue: July 15, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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