An occasionally intriguing look into political grappling at the highest level but mostly an exercise in excruciating detail,...

THE PRICE OF POLITICS

A reconstruction of how Republican brinkmanship threatened to bring down the global economy by forcing a U.S. debt default.

Pulitzer Prize–winning Washington Post editor Woodward (Obama's Wars, 2010, etc.) chronicles how Republicans used a previously routine vote on increasing the debt ceiling to blackmail President Barack Obama and the Democratic Party. Emboldened by their midterm victory in 2010, the Republicans aimed to force the president to accept major cuts to the budget and entitlements while holding the line on taxes. In explaining this display of brinkmanship, Woodward explains that for the U.S. president, default was not an option and could in fact bring down the entire global economy. The action takes place in the summer of 2011, beginning with a failed attempt by the White House to craft a workable deal in negotiations with House Speaker John Boehner. When these negotiations collapsed, the entire political leadership of both parties was brought in, leading to recriminations on all sides. The debt ceiling was raised but at the cost of a January fiscal cliffhanger. Although the author faults both Boehner and the president for their “fixed partisan convictions and dogmas,” his main purpose appears to be to discredit Obama. He compares him unfavorably to former Presidents Reagan and Clinton, both of whom handled similar crises. Although admitting that “Obama was handed a miserable, faltering economy and faced a recalcitrant Republican opposition,” Woodward faults him for being both arrogant and inept at building political consensus.

An occasionally intriguing look into political grappling at the highest level but mostly an exercise in excruciating detail, most of which boils down to trivial political gossip.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4516-5110-2

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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WHEN BREATH BECOMES AIR

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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