A beautifully written homage to the 1960s by a mature writer at the top of her literary power.
Mason’s first novel since The Girl in the Blue Beret (2011) is a deeply moving meditation on one woman’s life choices and the road she didn’t take.
Onboard a cruise ship in 2017, a troubled Ann Workman ponders her past. What if she had heeded her old college professor Albert’s advice and gone to Stanford for graduate school instead of heading to Harpur College in upstate New York? It was the 1960s, and California was “at the center of the universe," as Albert enthused in a letter, one of many that Ann has saved over 50 years and that populate the narrative. How would Ann’s life have changed? Fusing her memories with a writer's imagination, she creates a new storyline in which a naïve young woman drives west "with an innocent boldness" to Palo Alto. Exploring this new world that is “both tantalizing and threatening,” Ann gradually comes out of her shell, especially after she meets Jimmy, the “Real Thing” she has longed for. He too is an outsider, ashamed of his suburban Chicago background and intrigued by her rural Kentucky roots. Bonding over literature and music, they embark on an intense relationship against the backdrop of a Stanford campus “quivering with spontaneous demonstrations and teach-ins” against the escalating Vietnam War. Through this poignant romance, Mason vividly evokes the exhilaration and excitement of being young during such tumultuous cultural and political changes. It's no wonder that years later Chip, a friend of Jimmy and Ann, refers to that era as "the best time of my life, and of course the saddest." As Ann reassesses her choices, the reader senses that the 80-year-old author is using this haunting novel to also take stock of her own life.
A beautifully written homage to the 1960s by a mature writer at the top of her literary power.Pub Date: Sept. 8, 2020
ISBN: 978-0-06298-665-8
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2020
Kirkus Reviews Issue: July 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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