A well-ordered visual education

READ REVIEW

MY FIRST BOOK OF PATTERNS

Graphic design for the toddler set.

While naming patterns might not be high on the list of topical interests for most toddlers, this handsomely designed board book has the potential to provide little ones with expressive vocabulary that will enhance their visual literacy. The book itself follows a pattern with a series of three spreads each that introduce both common and lesser-seen patterns one might encounter in fabric design, illustration, and so on. “This is a line” reads the first verso, with an accompanying image of a white, vertical line on a bright pink background. The facing recto reads “A lot of lines make…” prompting a page turn to a spread covered with pink and white stripes and the word “STRIPES!” in bold, black type. The next spread is a wordless underwater scene depicting sea creatures and flora decorated with striped patterns. The rest of the book follows suit, explaining how “A lot of zigzags make… / CHEVRON!” and “A lot of diamonds make… / HARLEQUIN!” and so on. The paisley spread seems a bit off given that it takes more than “A lot of teardrops” to make this pattern, but otherwise the examples work well. A closing double-gatefold spread revisits each shape and the various patterns they create as a means of recapping the book as a whole.

A well-ordered visual education . (Board book. 2-4)

Pub Date: Sept. 18, 2017

ISBN: 978-0-7148-7249-0

Page Count: 66

Publisher: Phaidon

Review Posted Online: Oct. 10, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the...

HALLOWEEN ABC

An abecedary of spooky or autumnal delights for the littlest readers.

Each letter of the alphabet is highlighted on a single page, the upper- and lowercase letters appearing in the upper left-hand corner, while the object is named at the bottom or in the upper right. Ho keeps her illustrations simple and places them against plain, brightly colored backgrounds, keeping them accessible to those still learning about Halloween’s many icons. The almost-fluorescent orange cover is sure to attract attention, and the palette of black, purple, orange, yellow, and radioactive green enhances the Halloween mood. But while many of the chosen items will be expected—bats, ghost, haunted house, owl, skeleton, vampire, witch, zombie—others are rather odd choices. J is for “jump,” not jack-o’-lantern (“pumpkin” is illustrated with a jack-o’-lantern); K is for a mostly black “kitten” standing in a coffin; and N is for “nightmare,” which is virtually impossible to express visually for this age group without provoking said nightmare. Here, a lavender-skinned child (zombie?) in pajamas and nightcap has arms raised and mouth open wide in surprise—perhaps in response to the mummy across the gutter? The tough letters use “quiver,” spider-decorated “underpants” on a monster, and “extra treats,” the x underlined.

While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the youngest listeners that Halloween can be scary. (Board book. 2-4)

Pub Date: July 18, 2017

ISBN: 978-0-7636-9527-9

Page Count: 28

Publisher: Nosy Crow/Candlewick

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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There is no real story, but the moving parts are fun, and the illustrations are beautiful.

EGGS ARE EVERYWHERE

An interactive egg hunt with turning-wheel and lift-the-flap elements.

This board book begins by directing readers to find the hidden eggs. Each wheel—there are four in all set into the interior pages—has several different eggs on it, and turning it reveals an egg in a little die-cut window. Spinning it further hides the egg behind one of two lift-the-flap panels—two baskets, for example—and readers must guess behind which they’ll find the egg they have chosen to track. A diagram on the back provides instructions for use, likely more helpful to caregivers than to little ones. There is no narrative in this book; it’s simply page after page of different directives along the lines of “Guess which door!” As a result, the focus is really on manipulatives and the illustrations. Fortunately, Kirwan’s spring-themed artwork is gorgeous. The backdrop of each page is flower- and leaf-themed with warm spring hues, echoing the artwork of Eastern European hand-stenciled Easter eggs, two of which appear at the end of the book. The animals, like the smiling snail and mischievous mice, are reminiscent of classic European fairy-tale creatures. The only human in the book is a dark-skinned child with tight, curly hair. The moveable pieces largely work, though at times the necessary white space under the flaps interrupts the illustration awkwardly, as when the child’s hands suddenly develop large oval holes if the spinner is not in the correct position. Overall, it’s more game than book.

There is no real story, but the moving parts are fun, and the illustrations are beautiful. (Board book. 2-4)

Pub Date: Feb. 4, 2020

ISBN: 978-1-4521-7457-0

Page Count: 10

Publisher: Chronicle Books

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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