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HOUSE ON FIRE

Evocative writing and wholly realized characters complement a multifaceted tale that’s both harrowing and profound.

A late-night fender bender exposes a family’s fault lines in Kistler’s domestic suspense debut.

High school senior Kip Conley has been grounded since the state of Virginia suspended his license for operating under the influence, but tomorrow is Kip’s 18th birthday, and his father, Pete, and stepmother, Leigh, are out of town, so Kip borrows Pete’s truck and attends a house party. Just before midnight, Kip’s 14-year-old stepsister, Chrissy Porter, bursts in. Kip ignored her phone calls, so she biked through the rain to warn him that their parents are en route. Racing home, the kids swerve to avoid a dog and hit a tree. Although the damage is minimal, the truck is stuck, prompting a neighbor to call 911 and the police to arrest Kip, who has been drinking. Leigh hires her best friend from law school to defend Kip against what she presumes will be minor charges, but the next day, Chrissy suffers a fatal cerebral hemorrhage. Kip claims he’s innocent of manslaughter because, contrary to what he told the cops, Chrissy was driving when they crashed. Pete believes him, but Leigh accuses Kip of lying to save himself. Pete and Kip move out, and Leigh disappears into her job while investigators try to corroborate Kip’s account. Can the once “perfectly blended” clan survive the truth—whatever it may be? Subplots stemming from Leigh’s work as a divorce attorney tie into the central mystery and bolster the book’s narrative drive. Though Leigh’s maternal grief is palpable, she’s not the story’s sole focus; Kistler takes pains to explore the uniquely devastating ways in which the tragedy impacts Pete, Kip, and Chrissy’s other surviving relatives.

Evocative writing and wholly realized characters complement a multifaceted tale that’s both harrowing and profound.

Pub Date: March 12, 2019

ISBN: 978-1-5011-9868-7

Page Count: 416

Publisher: Atria

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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