Similar in subject matter to Audrey Penn’s The Kissing Hand, illustrated by Ruth E. Harper and Nancy M. Leak (1993), but a...
In this sweet story about separation anxiety, Mama Bear and Little Bear find a way to send kisses to each other when they are apart.
The tale begins with a familiar concern of the intended audience: “Mama Bear was always home, and that’s how Little Bear liked it. But sooner or later, all mama bears need to go away, even if it’s just for a little while.” Of course, this troubles Little Bear. What ensues is a series of touching scenes in which Little Bear and his mama establish just how much she loves him, how Little Bear will remain in her thoughts and ultimately how they can keep the many kisses they send to each other close by. Little Bear’s brilliant idea is to make boxes to hold their kisses (represented as tiny paper hearts). Debut picture-book author Verburg structures the story, inspired by her personal experience, with a steady, soothing pace. Cole complements the language beautifully with watercolor and colored-pencil illustrations evoking the classic joys of childhood: enjoying a tree swing, fishing at a pond and sharing a yummy picnic lunch. Ever-patient Mama Bear and charming Little Bear remain the focus on each framed spread. The large font and generous spacing of the text should extend the book’s appeal to newly independent readers as well.
Similar in subject matter to Audrey Penn’s The Kissing Hand, illustrated by Ruth E. Harper and Nancy M. Leak (1993), but a whole lot more artful, this fresh take will motivate younger children to create boxes of their own. (storyteller’s note) (Picture book. 3-7)Pub Date: Dec. 1, 2011
ISBN: 978-0-545-11284-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: Nov. 19, 2011
Kirkus Reviews Issue: Dec. 1, 2011
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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