Don't read this book while eating—but don’t skip these unflinching, intelligent stories, either.
Dark and visceral tales shortlisted for the International Booker Prize.
If the first story of a collection is meant to set the tone for the whole volume, then “The Head,” the opener to South Korean author Chung’s first work to be translated into English, is a doozy. A young woman is beset by a talking head in her toilet, made from, as the head tells the woman, “the things you dumped down the toilet, like your fallen-out hair and feces and toilet paper you used to wipe your behind.” No matter how the woman tries to silence or destroy the head, it grows and disrupts her life through courtship, marriage, and the birth of her daughter. If it seems surprising that an institution like the Booker Prize would go for gross-out body horror, one need only consider the deft social commentary that underpins Chung’s tales. In “The Embodiment,” for example, a single woman ends up pregnant from taking too much birth control medication and then is warned by her obstetrician that if she doesn’t find a father for her unborn child, the consequences could be dire. (Spoiler: They are.) Women’s bodies are literally disfigured by social expectations or cultural pressures; children are destroyed by the cruel whims of adults. Money, old age, technology, and intergenerational trauma ruin plenty of things here, too. In the title story, the family business—the making of cursed fetish objects—is passed down through the generations, with one particularly disastrous rabbit lamp wreaking havoc on its greedy recipient. Whether borrowing from fable, folktale, speculative fiction, science fiction, or horror, Chung’s stories corkscrew toward devastating conclusions—bleak, yes, but also wise and honest about the nightmares of contemporary life.
Don't read this book while eating—but don’t skip these unflinching, intelligent stories, either.Pub Date: Dec. 6, 2022
ISBN: 978-1-64375-360-7
Page Count: 256
Publisher: Algonquin
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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