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CURSED BUNNY

Don't read this book while eating—but don’t skip these unflinching, intelligent stories, either.

Dark and visceral tales shortlisted for the International Booker Prize.

If the first story of a collection is meant to set the tone for the whole volume, then “The Head,” the opener to South Korean author Chung’s first work to be translated into English, is a doozy. A young woman is beset by a talking head in her toilet, made from, as the head tells the woman, “the things you dumped down the toilet, like your fallen-out hair and feces and toilet paper you used to wipe your behind.” No matter how the woman tries to silence or destroy the head, it grows and disrupts her life through courtship, marriage, and the birth of her daughter. If it seems surprising that an institution like the Booker Prize would go for gross-out body horror, one need only consider the deft social commentary that underpins Chung’s tales. In “The Embodiment,” for example, a single woman ends up pregnant from taking too much birth control medication and then is warned by her obstetrician that if she doesn’t find a father for her unborn child, the consequences could be dire. (Spoiler: They are.) Women’s bodies are literally disfigured by social expectations or cultural pressures; children are destroyed by the cruel whims of adults. Money, old age, technology, and intergenerational trauma ruin plenty of things here, too. In the title story, the family business—the making of cursed fetish objects—is passed down through the generations, with one particularly disastrous rabbit lamp wreaking havoc on its greedy recipient. Whether borrowing from fable, folktale, speculative fiction, science fiction, or horror, Chung’s stories corkscrew toward devastating conclusions—bleak, yes, but also wise and honest about the nightmares of contemporary life.

Don't read this book while eating—but don’t skip these unflinching, intelligent stories, either.

Pub Date: Dec. 6, 2022

ISBN: 978-1-64375-360-7

Page Count: 256

Publisher: Algonquin

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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