Shopworn, stumblebum prose redeemed by a manic mix of horrific violence, gross-out detail, and a crowd-pleasing sentiment.
Deliciously pernicious, archly melodramatic mean-streets revenger: Teran’s second helping of flawed, brutal L.A. noir is just as annoyingly good as his first (God is a Bullet, 1999).
“We’re going to kill a man tomorrow night . . . it won’t be easy, I know,” homicidal, near-deaf speed-freak Dee Storey lovingly tells her 13-year-old daughter. Dee hopes that Shay will be thrilled that Mom is using her as bait, but though Shay has let her mother rent her to pornographers and perverts, she’s nervous about luring trusting L.A. county sheriff John Scully to an empty patch of desert near Baker City. When she does, overwhelmed by the horror of the deed, Shay can’t administer a final coup de grâce. Left for dead, Scully crawls out of a shallow grave, then finds himself disgraced when evidence turns up that suggests, though doesn’t quite prove, that he was involved in drug dealing. Scully realizes he’s been set up but loses everything—until, 11 years later, crusading, agoraphobic journalist William Worth, a.k.a. Landshark, finds Scully and offers proof that he was a patsy for a vicious plot that succeeded in weakening the state’s case against Charlie Foreman, a loathsome drug-dealer punk linked by sex and drugs to a variety of abominable sociopaths, including former cop and yuppie-slime developer Burgess Ridden. As Landshark tries to persuade the burned-out Scully to help him fight the good fight, Foreman decides to blackmail Ridden over money the developer pocketed from construction projects built on environmentally contaminated land. When he isn’t dropping deathless howlers (“Death has no partners and seeks out the slender dares we pitch against it”), Teran snarls his complicated tale around Shay, who is trying forget her awful childhood and lead an honest life. Alas, just when Shay thinks she’s out, Mom comes to drag her back in.
Shopworn, stumblebum prose redeemed by a manic mix of horrific violence, gross-out detail, and a crowd-pleasing sentiment.Pub Date: May 11, 2001
ISBN: 0-312-27115-8
Page Count: 366
Publisher: Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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