Next book

VIOLENCE

HUMANS IN DARK TIMES

A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by...

Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence.

The project started in 2015 when journalist Lennard interviewed political philosopher and critical theorist Evans (Political Violence/Univ. of Bristol; Liberal Terror, 2013, etc.) for the New York Times philosophy blog The Stone. The resulting feature, “Thinking Against Violence,” was published in December 2015 and received widespread attention and discussion. The authors soon expanded on the theme, launching an ongoing successful series on violence that ran through 2016 in the same section, with Lennard and Evans picking the brains of scores of academic authorities and philosophers, including, among others, philosopher Richard J. Bernstein, Nicholas Mirzoeff, and Simona Forti. Later, the series found renewed life in the Los Angeles Book Review, where the authors broadened the scope to include an even wider range of creative minds, including filmmaker Oliver Stone, South African musician and composer Neo Muyanga, and adult performer Mickey Mod. With a quest to “learn how to undo violence,” the authors compiled what they describe as “a series of conversations as a truly trans-disciplinary mediation with artists, writers and cultural producers that brings critical thought to bear on violence.” Often nodding to the pioneering groundwork of German philosopher Hannah Arendt, the book—a diverse compendium of 28 leading voices on the topic of violence—runs the gamut of themes, from violence in media and film to sex, gender, and race in the escalating age of violence. Other discussions include bullying and torture, war and terrorism, dangers of the normalization of violence, the influence of the digital age, climate degradation as a violent crime against humanity, and the important role ignorance plays in the perpetuation of violence. Other contributors include Elaine Scarry, Tom McCarthy, Moira Weigel, and Adrian Parr.

A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past.

Pub Date: Aug. 15, 2018

ISBN: 978-0-87286-754-3

Page Count: 336

Publisher: City Lights

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview