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GODS OF AQUARIUS

UFOS AND THE TRANSFORMATION OF MAN

In this latest outreach, Steiger presents ideas given to him "during the time-out-of-time" he spent with the Egyptian goddess Sekmet. He attributes his experience with her to one superior power responsible for the Greek gods, Celtic fairies, doomsday prophets, personalities like Uri Geller, and most importantly, UFOs. Steiger contends that this power continually guides us toward higher levels of intelligence and intellectual and emotional maturity. His evidence is purely speculative, and skeptics would certainly question his views. He carries us through a variety of interviews with UFO percipients. Often, like Steiger, they believe they have undergone a change after sighting or boarding a UFO. Some acquire a higher, more profound intelligence; some believe they make frequent trips to other planets, galaxies, and dimensions; some experience spontaneous healing. Steiger's message is harmless and possibly constructive, but his informants will try the patience even of devotees.

Pub Date: Nov. 5, 1976

ISBN: 0425047539

Page Count: 274

Publisher: Harcourt Brace Jovanovich

Review Posted Online: May 23, 2012

Kirkus Reviews Issue: Nov. 1, 1976

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A FIELD GUIDE TO GETTING LOST

Elegant essays marked by surprising shifts and unexpected connections.

Largely autobiographical meditations and wanderings through landscapes external and internal.

National Book Critics Circle Award–winner Solnit (River of Shadows: Edward Muybridge and the Technological Wild West, 2003, etc.) roams through a large territory here. The book cries out for an explanatory subtitle: “field guide” shouldn’t be taken as a literal description of these eclectic memories, keen observations and provocative musings. Four of Solnit’s essays have the same title, “The Blue of Distance,” but the first segues from the blue in Renaissance paintings to a turquoise blouse the author wore as a child, then to the blue of distance seen on a walk across the drought-shrunken Great Salt Lake. The second presents Cabeza de Vaca, a Spanish explorer who wandered for years in the Americas, and then several white children taken captive by Indians; their stories demonstrate that a person can cease to be lost not only by returning, but also by turning into someone else. The third blue essay explores the world of country and western music, full of tales of loss and longing. The fourth introduces the eccentric artist Yves Klein, who patented the formula for his special electric blue paint and claimed to be launching a new Blue Age. How does it all fit in? Don’t ask, just enjoy, for Solnit is a captivating writer. Woven in and out of these four pieces and the five others that alternate with them are Solnit’s immigrant ancestors, lost friends, former lovers, favorite old movies, her own dreams, the house she grew up in, harsh deserts, animals on the edge of extinction and abandoned buildings. All become material for the author’s explorations of loss, losing and being lost.

Elegant essays marked by surprising shifts and unexpected connections.

Pub Date: July 11, 2005

ISBN: 0-670-03421-5

Page Count: 224

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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