A buoyant, historically astute appreciation of political persistence.
The hard work of making a better future.
Readers seeking reasons for hope in tumultuous times will find many in the latest from the author of Men Explain Things to Me. Solnit’s essays about climate change, toxic masculinity, income inequality, and other subjects are paeans to “patience, endurance, and long-term vision,” which she believes are essential to lasting political change. Solnit is a deft connector of historical dots. In one inspired essay, she demonstrates how 21st-century activists organized durable movements that moved centrist politicians toward progressive remedies on problems as varied as water usage and debt relief. Occupy Wall Street, launched in 2011, recognized that theirs would be a protracted fight, one that yielded tangible results in the 2020s, when politicians launched student loan forgiveness initiatives. More than two centuries ago, Solnit notes, John Adams detected a not dissimilar chain of events, writing that the American Revolution “was effected from 1760 to 1775.” Solnit describes climate change as “a moral crisis” and “a storytelling crisis.” Cynics may chuckle when she quotes a climate writer who says that “what we desperately need is more artists” to help create “a new world,” but Solnit offers a galvanizing vision for healing the planet, one that prizes community over material goods. A more humane definition of wealth, she writes, would foreground enriching relationships with nature and friends. This isn’t an autobiographical book, but the personal details Solnit shares suggest a very interesting person. She was “an antinuclear activist” and counts among her friends a death row inmate, a mushroom collector, and a violin maker. The latter appears in the book’s warmest essay, about the durability of a 300-year-old violin still played by a prominent musician. Fittingly, the instrument is “both a relic and a promise.”
A buoyant, historically astute appreciation of political persistence.Pub Date: May 13, 2025
ISBN: 9798888903636
Page Count: 184
Publisher: Haymarket Books
Review Posted Online: March 21, 2025
Kirkus Reviews Issue: April 15, 2025
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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