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JOHN BELLAIRS'S JOHNNY DIXON IN THE HAND OF THE NECROMANCER

At first, Johnny's most serious problems are right out of the textbook for the budding adolescent: How will he survive the summer without his friend Fergie (he makes a new sandlot pal, Sarah Channing), and what will rescue him from boredom (a job Professor Childermass finds him at the town's Gudge Museum). When Mattheus Mergal, a black-clad, sinister man, appears at the museum and steals some enchanted artifacts, Johnny and Sarah launch their own witch hunt. Some frightening apparitions, terrifying nightmares, and deadly lightning bolts are visited upon the young sleuths, but they remain undaunted. When Mergal kidnaps Professor Childermass to obtain the final talisman he needs, the teens grapple with the necromancer in a battle that will leave one of them lost in the land of the dead for all time. Strickland, in his first solo work featuring the characters created by John Bellairs, leads readers on an entertaining frolic. There are enough well-placed frissons to keep readers flipping those pages, even those who know that, in keeping with series formula, all nefarious plans will be nixed. (Fiction. 10+)

Pub Date: Sept. 1, 1996

ISBN: 0-8037-1829-2

Page Count: 138

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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PERCY JACKSON'S GREEK GODS

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.

Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.

Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)

Pub Date: Aug. 19, 2014

ISBN: 978-1-4231-8364-8

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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THE CLAY MARBLE

Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)

Pub Date: Oct. 1, 1991

ISBN: 0-374-31340-7

Page Count: 163

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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