A powerful debut collection of eight stories (two previously published in Story magazine) that are linked thematically: They're all about man and dog, though not in any sappy sense, and with no cute anthropomorphizing. In ``Bill,'' an octogenarian feels closer to her dying poodle than to her own family, and cooks up a grand feast the night before he's put to sleep; in ``Agnes of Bob,'' a childless widow realizes that her husband cared more about his dog, Bob, than about her, and the dog's presence reminds her of the emptiness in her marriage; in ``A Blessing,'' a pregnant woman is disabused of any cute notions about dogs when a trip to the country to buy one ends with an act of brutality. No sentimentality mars these gritty narratives. ``The Wake'' is a wildly implausible piece about a bachelor whose ex- girlfriend returns to him in a box via UPS. He's more concerned with the dead dog now rotting under his house than with her, his obsession offering a deliberately unsubtle correlative to a failed relationship. ``Seeing Eye,'' a vignette about a dog working for a blind man, compares its present life of responsibility to its former life roaming free on a farm. The full resonance of one of Watson's dominant themes (men-as-dogs, elemental in their needs, faithless in their couplings) emerges in the three best stories. ``The Retreat'' finds a few soon-to-be divorced men hiding out in the country, drinking, hunting, sloughing off responsibility. ``Kindred Spirits'' layers the metaphorical relationships in its story-within-a-story about a dog tracking a wild boar in the Florida swamp. The tale turns into a not very subtle parallel to the narrator's present cuckolding by his business partner. The title piece is an elegy to a dog-like life of wildness, freedom, animalism no longer available to men. Watson's muscular prose stands shoulder to shoulder with the best cracker realists, from Faulkner to Larry Brown. (Regional author tour)
Pub Date: April 1, 1996
ISBN: 0-393-03926-9
Page Count: 176
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
