A 17-year-old faces his destiny in a divided and distant land.
Paul seemingly has a tenuous grip on reality. He sees visions of an unreal, fantastic land, and Nikka, a blue-tinted hallucination of a girl who claims to be his sister, insists on keeping him company. Living apart from his mother, with whom he has a strained relationship, Paul tries to keep up a normal life with frequent visits to his therapist. When a sword-wielding warrior disrupts a session, Paul is flung into Mirandus, the world of his visions. With a clear flow between panels, the implication of time passing in a montage of wide, epic scenes of Mirandus; brilliant and emotive color schemes; and a cleanly minimal drawing style provide a strong visual aspect to the story. Inexperienced graphic novel readers will easily be able to follow the flow of dialogue, and the clear depiction of speech and narrative bubbles provide further visual literacy cues. While the discussion of good versus evil is a bit heavy-handed despite attempts to subvert the binary, the overarching theme of destiny as depicted by the Narrative adds an intriguing twist. Paul’s relationships with Nikka and other characters are engaging, but the pacing makes them feel rushed. Paul is biracial (Chinese/White); the humans of Mirandus appear mostly White. (This book is available now as a digital edition, with print release currently scheduled for May 2021.)
A dramatically dark fantasy that will leave readers eager for the sequel. (Graphic fantasy. 14-adult)Pub Date: May 18, 2021
ISBN: 978-1-939424-45-7
Page Count: 224
Publisher: Vault Comics
Review Posted Online: Sept. 11, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Categories: SCIENCE FICTION & FANTASY | SCIENCE FICTION & FANTASY
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A graphic novel for devotees of Ayn Rand.
With its men who have become gods through rugged individualism, the fiction of Ayn Rand has consistently had something of a comic strip spirit to it. So the mating of Rand and graphic narrative would seem to be long overdue, with her 1938 novella better suited to a quick read than later, more popular work such as The Fountainhead (1943) and the epic Atlas Shrugged (1957). As Anthem shows, well before the Cold War (or even World War II), Rand was railing against the evils of any sort of collectivism and the stifling of individualism, warning that this represented a return to the Dark Ages. Here, her allegory hammers the point home. It takes place in the indeterminate future, a period after “the Great Rebirth” marked an end of “the Unmentionable Times.” Now people have numbers as names and speak of themselves as “we,” with no concept of “I.” The hero, drawn to stereotypical, flowing-maned effect by illustrator Staton, knows himself as Equality 7-2521 and knows that “it is evil to be superior.” A street sweeper, he stumbles upon the entrance to a tunnel, where he discovers evidence of scientific advancement, from a time when “men knew secrets that we have lost.” He inevitably finds a nubile mate. He calls her “the Golden One.” She calls him “the Unconquered.” Their love, of course, is forbidden, and not just because she is 17. After his attempt to play Prometheus, bringing light to a society that prefers the dark, the two escape to the “uncharted forest,” where they are Adam and Eve. “I have my mind. I shall live my own truth,” he proclaims, having belatedly discovered the first-person singular. The straightforward script penned by Santino betrays no hint of tongue-in-cheek irony.
A Rand primer with pictures.Pub Date: Feb. 1, 2011
ISBN: 978-0-451-23217-5
Page Count: 144
Publisher: NAL/Berkley
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
Categories: GENERAL GRAPHIC NOVELS & COMICS | SCIENCE FICTION & FANTASY
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In a not-so-distant future where changing one’s physical features is as easy as purchasing nanobot mods, Sunati falls for Austen, a girl who always looks the same.
Since Austen never changes, Sunati admires what she assumes is her bravery and confidence. As Sunati and Austen chat more, Austen bluntly asks Sunati if she only wants to get to know her more because of her medical condition, which prevents her from using mods. As they gradually grow closer, Sunati learns how to interact more respectfully with those who have overactive immune systems as well as to share her feelings more honestly. Austen, in turn, learns to trust Sunati. This beautifully illustrated slice-of-life tale that shows two young women of color getting to know each other and creating a relationship is so warm and charming that readers will hardly notice how much they are learning about how to better interact with folx who are different from themselves and the importance of not making assumptions. The story also successfully weaves in agender, genderfluid, and asexual characters as well as the subjects of parenting and colorism into the natural arc of Sunati and Austen’s developing story. The soft, romantic artwork evokes hazy watercolors. The speech bubbles are predominantly pink and blue, and the varied layout will maintain readers’ interest.
A warm, sweet, lovely tale of a world readers will want to live in. (Graphic romance. 12-18)Pub Date: May 19, 2020
ISBN: 978-1-4998-1110-0
Page Count: 256
Publisher: Little Bee
Review Posted Online: March 25, 2020
Kirkus Reviews Issue: April 15, 2020
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