These humans may be little, but their photos bring large delight. (Picture book. 3-7)

LITTLE HUMANS

The creator of the popular Humans of New York blog focuses his camera lens on the diverse children of New York City.

Street photographer Stanton has captured the lives of many New Yorkers, but none ever this small, all in one place. “Little humans can do big things, // if they stand up tall / and hold on tight. // Sure, sometimes they fall. / But they get back up. // They’ll be alright!” Rhyming text highlights the resilience and varied experiences of childhood, accompanied by one large photo per phrase. Most are sidewalk portraits with concrete backdrops, but readers find a bit of grass every few pages—just like New York. Tiny hipsters in elbow-patched blazers share space with barefooted friends playing in a fire hydrant’s spray. Some readers might be inclined to say the more eclectic fashionistas are only found in New York City, but kids’ ensembles are often distinct and creative, no matter where they live. While the text is largely platitudinous, the photographs are so striking as to make it easy to ignore. A wide range of ethnic groups and smiles broadens the scope even further. 

These humans may be little, but their photos bring large delight. (Picture book. 3-7)

Pub Date: Oct. 7, 2014

ISBN: 978-0-374-37456-3

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 20, 2014

Kirkus Reviews Issue: Sept. 15, 2014

Did you like this book?

No Comments Yet

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

Did you like this book?

No Comments Yet

A comical, fresh look at crayons and color

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

Did you like this book?

more