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LITTLE & LION

Readers will empathize with Suzette as she explores both her sexuality and the tricky line between honesty and betrayal.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • Stonewall Book Awards Winner

Sixteen-year-old Suzette was sent to boarding school when her bookish older brother, Lionel, was diagnosed with bipolar disorder, but now she’s back in Los Angeles for the summer.

Despite the strange looks their family attracts—Suzette and her mom are black, while Lionel and his dad are white—Lionel and Suzette were always close before Lionel’s diagnosis. With Suzette back home, Lionel confides in her that he’s going off his medication. Fearing that to divulge his secret will ruin any chance of rebuilding their bond, Suzette keeps quiet even though she feels responsible for her brother’s well-being. Simultaneously, Suzette balances her blooming feelings for Emil Choi, a sunny, biracial (black/Korean) boy with Ménière’s disease, and for Rafaela, a pansexual Latina—whom, disastrously, Lionel is also falling for. To make matters worse, Suzette is still grappling with a homophobic act that exposed her relationship with her white boarding school roommate, Iris. Suzette’s engrossing present-tense narration intertwines with sporadic—but pertinent—flashback chapters. Colbert (Pointe, 2014) sensitively confronts misconceptions about mental illness, bisexuality, and intersectional identity (“people have too many questions when you’re black and Jewish,” thinks Suzette). A vibrantly depicted Los Angeles and a rich, though at-times unwieldy cast of characters create a convincing world.

Readers will empathize with Suzette as she explores both her sexuality and the tricky line between honesty and betrayal. (Fiction. 14-18)

Pub Date: Aug. 8, 2017

ISBN: 978-0-316-34900-0

Page Count: 336

Publisher: Little, Brown

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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