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ZIA ERASES THE WORLD

A moving, hopeful tale about confronting depression.

Suffering from depression, a girl erases words from a magical dictionary, hoping in the process to also erase her sadness.

Zia, a sixth grader with a gift for making up words, lived happily with her mother until Shadoom came into her life a year ago. Shadoom is Zia’s name for the “room of shadows” now filling her with “fear and hurt and sadness.” Afraid everyone will think she’s a “hopeless weirdling,” Zia stops hanging out with her best friends, hides in the girls’ bathroom at lunch, and refuses to tell her mother, who’s stressed enough working two jobs, paying bills, and caring for Zia’s grouchy Greek immigrant grandmother who has dementia. Zia wants to fix herself, but she doesn’t know what’s wrong. Discovering her grandmother’s mysterious dictionary that comes with a charmed eraser, Zia experiments with erasing words and feels empowered as they vanish from the world. While removing words that trigger Shadoom, Zia erases fear and then pain with dire consequences and must find a way to undo her actions. Narrating in the first-person present tense, Zia’s honest voice adds immediacy and credibility to her chronicle of the frightening onset of her depression, her lonely efforts to conceal it, her totally misguided attempts to magically erase it, and the realization she doesn’t have to cope on her own. Definitions of words key to Zia’s story introduce each chapter, reinforcing the dictionary theme.

A moving, hopeful tale about confronting depression. (Fantasy. 8-12)

Pub Date: April 26, 2022

ISBN: 978-0-593-35099-7

Page Count: 256

Publisher: Viking

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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