A vivid futuristic setting enfolds a fundamentally nostalgic plot.

READ REVIEW

HOW TO BEE

In near-future Australia, “bee” is both a noun and a verb.

Before the famines that occurred 30 years ago, crops were pollinated by actual bees, but wanton pesticide use means that now the job must be done by children who are light and quick enough to hand-pollinate the orchards that produce the fruit that’s taken to the city. Peony, the novel’s charismatic 9-year-old narrator, wants nothing more than to bee, but Foreman doesn’t pick her. That’s bad enough, but even worse is when Ma comes from the city where she works and takes Peony away from Gramps and her beloved sister. In the city, Peony must wear shoes and wait on the Pasquales, a family of three that lives in comfort Peony can’t fathom. MacDibble effectively creates a not-quite-post-apocalyptic world of tremendous class contrasts, with farmworkers who live in dire poverty and frightening, teeming crowds of “raggy people” in the city; the elites live in seeming oblivion. But once Peony gets to the city, the plot devolves into a Secret Garden–esque arc in which Peony combines Mary Lennox’s abrasive impulsivity and Dickon’s simple country wisdom as she befriends and nurtures the Pasquales’ imperious daughter, who, Colin-like, is hostage to her own fears. Peony seeks not revolution but a return to the orchard, her enlightenment an entirely personal one. Racial distinctions are effectively invisible, implying a white default.

A vivid futuristic setting enfolds a fundamentally nostalgic plot. (Post-apocalyptic adventure. 9-13)

Pub Date: March 3, 2020

ISBN: 978-1-77306-418-5

Page Count: 224

Publisher: Groundwood

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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