Lizzy is prone to extreme emotions and flights of fancy in this richly illustrated tale. She begins the day scared at the...
A rhyming, read-aloud debut children’s book that tracks the mercurial adventures of a young girl during her first day at a new school.
Lizzy is prone to extreme emotions and flights of fancy in this richly illustrated tale. She begins the day scared at the thought of a brand-new school and is a bit intimidated as she boards the bus: “It’s just so…tall.” Although the school is “so big” and the books are “so wordy,” Lizzy quickly takes over the class by jumping on the desk “and surpised [sic] everyone, / acting out stories— / what crazy good fun!” From then on, Lizzy’s day becomes increasingly outrageous. Learning numbers is “just so...mathemagical,” science is “just so...fizz-astro-fantastical,” learning about animals is “just so...wombatty,” and so on. This fanciful language, combined with the whimsical illustrations, may amuse young children. However, some invented words, such as “oompa-pa chugga-doo-zippidy-la” and “oookie glub-dripping,” may be confusing. Lizzy’s madcap day also includes some low moments, as when she sits alone at lunch: “It’s just so lonely...me only,” she says—a sentiment she repeats at bedtime. But she soon gets up the courage to talk to other kids, immediately making friends, and at bedtime something “fantastical” happens when animals from her day, including a bunny, turtle, and a dog, crawl into her bedroom to snuggle. As a protagonist, Lizzy is a bit of a cipher. For example, she’s intimidated by the tall bus, yet she still bravely climbs the stairs and feels “oh-so-big”; she immediately takes command during the reading lesson, but at lunchtime she’s lonely. The action sequences become frenzied; a science lesson, for example, includes split atoms along with the beakers and test tubes. Indeed, the book’s overall portrayal of school moves from intriguing to disorienting and hysterical, and the illustrations reflect this chaos. Lizzy’s distinctive appearance, meanwhile, includes a hairstyle that falls somewhere between Conan O’Brien’s and Pippi Longstocking’s.Pub Date: Dec. 15, 2015
ISBN: 978-0-9970851-0-5
Page Count: 40
Publisher: Notable Kids Publishing
Review Posted Online: July 25, 2016
Review Program: Kirkus Indie
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
