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Breakthrough To Brilliance

CHANGING THE WORLD BY CHANGING THE WAY WE LEARN

This insightful, often charming book has much to offer anyone seeking to improve how learning occurs, whether one shares...

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A utopian manifesto for replacing compulsory education with self-driven, lifelong learning.

In this erudite but quixotic debut, Hamilton offers a blueprint for franchised learning centers aimed at supplanting traditional schools and revolutionizing society. Physically, her “prepared learning environment” blends elements of libraries, museums, theaters, fitness clubs, and shopping centers to create what she calls a “mall for the mind”—storehouses of knowledge categorized into 33 “loggia,” or galleries, around a central atrium. A bucolic campus features organic farming, unspoiled woodlands, dormitories for students, an inn for visitors, and cottages for seniors, who serve as mentors. Functionally, it abandons regimented classrooms, curricula, and tests that Hamilton persuasively argues suffocate youngsters’ inborn thirst for discovery. According to her plan, learners set the focus and pace of their own studies. She writes that she received this vision while observing her own two children as babies in 1968. After decades working as a teacher, earning a master’s degree in educational administration, and serving on a Tennessee state school board, she gave up on reforming the existing educational model to invent a new one. Here, she deploys a wealth of pedagogical research in the main text and a feast of on-point quotes in the margins. She skewers the status quo with clear examples, cogent analysis, and gentle humor. As she describes her alternative, her prose acquires a dreamlike quality; indeed, she paints scenes so idyllic that they may seem unattainable to readers lacking her passion. Learners “will never feel a single moment of boredom,” adolescents in the dorms “are up early and to bed early, and “ ‘Havenotness’ will become a distant memory of our culture.” Building even a single prototype appears daunting, though she makes a reasonable feasibility pitch. Imagining these centers replacing more than 129,000 K-12 schools in the United States, though, is harder. Unlike the current 98,000-plus public schools, center memberships would be conditional (“based upon training and proven mastery of the two rules of respect and order”) and available to children of all ages. Overall, though, it’s difficult to conceive of them as ever being more than luxury alternatives. For society to embrace such educational autonomy, an absence of grades and standardized credentials would seem as much a precondition for their growth as a result. Still, her remedies shed light on many current problems.

This insightful, often charming book has much to offer anyone seeking to improve how learning occurs, whether one shares Hamilton’s vision or not.

Pub Date: N/A

ISBN: 9780983011552

Page Count: -

Publisher: Periploi Press

Review Posted Online: Aug. 15, 2016

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IN A SUNBURNED COUNTRY

Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape...

Just in time for Sydney’s upcoming Olympic games, this travel narrative from veteran wanderer Bryson (I’m a Stranger Here Myself, 1999, etc.) provides an appreciative, informative, and hilarious portrait of the land Down Under.

“And so once more to the wandering road,” declares Bryson—which is music to the ears of his many deserving fans. This time it is Australia, a country tailor-made to surrender just the kind of amusing facts Bryson loves. It was here, after all, that the Prime Minister dove into the surf of Victoria one day and simply disappeared—the prime minister, mind you. There are more things here to kill you than anywhere else in the world: all of the ten most poisonous snakes, sharks and crocodiles in abundance, the paralytic tick, and venomous seashells that will “not just sting you but actually sometimes go for you.” A place harsh and hostile to life, “staggeringly empty yet packed with stuff. Interesting stuff, ancient stuff, stuff not readily explained.” And Bryson finds it everywhere: in the Aborigines (who evidently invented and mastered oceangoing craft 30,000 years before anyone else, then promptly forgot all about the sea), in the Outback (“where men are men and sheep are nervous”), in stories from the days of early European exploration (of such horrific proportions they can be appreciated only as farce), and in the numerous rural pubs (where Bryson learns the true meaning of a hangover). Bryson is still open to wonder at the end of his pilgrimage: the grand and noble Uluru (once known as Ayer’s Rock) reaches right down into his primordial memory and gives it a stir. “I’m just observing that if I were looking for an ancient starship this is where I would start digging. That’s all I'm saying.”

Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape scattered with “rocks the color of bad teeth.” Fortunately for him and for us, there’s a lot more to Australia than that.

Pub Date: June 6, 2000

ISBN: 0-7679-0385-4

Page Count: 304

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2000

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THE SOPRANOS SESSIONS

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of...

Everything you ever wanted to know about America’s favorite Mafia serial—and then some.

New York magazine TV critic Seitz (Mad Men Carousel: The Complete Critical Companion, 2015, etc.) and Rolling Stone TV critic Sepinwall (Breaking Bad 101: The Complete Critical Companion, 2017, etc.) gather a decade’s worth of their smart, lively writing about New Jersey’s most infamous crime family. As they note, The Sopranos was first shot in 1997, helmed by master storyteller David Chase, of Northern Exposure and Rockford Files renown, who unveiled his creation at an odd time in which Robert De Niro had just appeared in a film about a Mafioso in therapy. The pilot was “a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit. It is high and low art, vulgar and sophisticated.” It barely hinted at what was to come, a classic of darkness and cynicism starring James Gandolfini, an actor “obscure enough that, coupled with the titanic force of his performance, it was easy to view him as always having been Tony Soprano.” Put Gandolfini together with one of the best ensembles and writing crews ever assembled, and it’s small wonder that the show is still remembered, discussed, and considered a classic. Seitz and Sepinwall occasionally go too Freudian (“Tony is a human turd, shat out by a mother who treats her son like shit”), though sometimes to apposite effect: Readers aren’t likely to look at an egg the same way ever again. The authors’ interviews with Chase are endlessly illuminating, though we still won’t ever know what really happened to the Soprano family on that fateful evening in 2007. “It’s not something you just watch,” they write. “It’s something you grapple with, accept, resist, accept again, resist again, then resolve to live with”—which, they add, is “absolutely in character for this show.”

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of them.

Pub Date: Jan. 8, 2019

ISBN: 978-1-4197-3494-6

Page Count: 480

Publisher: Abrams

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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