A brief, poignant novel that winds up a bit abruptly, this is a heartfelt exploration of one boy’s experience as a refugee.
A Bosnian teen whose family fled Sarajevo for Winnipeg in the late 1990s struggles at home and at school.
Told in journal entries that his therapist suggests he write, 15-year-old Cris relates his history and the experience he and his parents and three sisters have in their new home. This format works exceptionally well for the story, allowing Cris to offer a narrative that is matter-of-fact, bitingly funny, and intensely reflective of his internal state. He deals with the experience of otherness and the constriction of gender norms and writes plenty about his withdrawn but loving Muslim father; caring but almost comically critical Serbian Orthodox mother; and the distinctive personalities of his sisters. But mostly he focuses on his closest friend, Elle, an outspoken white girl who befriends him when they are in grade five. At first Cris accepts her friendship perfunctorily, but it eventually becomes central in his life even as she begins to change and seemingly grow away from him, a story arc linked to her weight loss. With few physical descriptions, whiteness is assumed throughout although a multiracial secondary character is called out for her appearance. A short exposition at the end by one of Cris’ sisters gives a pithy overview of the political and religious history of Sarajevo.
A brief, poignant novel that winds up a bit abruptly, this is a heartfelt exploration of one boy’s experience as a refugee. (Fiction. 13-18)Pub Date: May 7, 2019
ISBN: 978-1-77306-146-7
Page Count: 192
Publisher: Groundwood
Review Posted Online: March 23, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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