An up-close look at species reintroduction for readers not quite ready for Jean Craighead George’s The Wolves are Back...
A family of Mexican gray wolves, the lobos of the title, born in captivity, are successfully returned to the wild.
Adapted from an essay in Wolf Haven: Sanctuary and the Future of Wolves in North America (2016), a book of striking photographs for adults, this stand-alone title shows and tells the story of a family, beginning with a pair of parents, “Mother and Father Wolf” and their newborn pups. After a year of growth, the family is transported from their supervised sanctuary in the Pacific Northwest to a ranch in southern New Mexico. There, to everyone’s surprise, the mother gives birth to another litter. These wolves learn to hunt for themselves and are ultimately transported again, this time across the border to be set free in the Mexican wilderness, to augment an endangered population near extinction. Appealing photographs will inspire even fledgling readers to attempt this well-designed story of environmental good news. Each spread includes a full-bleed image or set of images and, usually, a vignette. Though set legibly in short lines, the poetic text includes some challenging vocabulary. Pictures of human interactions are explained in the text, but the wolf pictures have no labels and are not always of the family described, hence the backmatter note, “based on the true story.” The backmatter also provides further information, a timeline, and resources.
An up-close look at species reintroduction for readers not quite ready for Jean Craighead George’s The Wolves are Back (illustrated by Wendell Minor, 2008). (Picture book. 4-8)Pub Date: Aug. 21, 2018
ISBN: 978-1-63217-084-2
Page Count: 32
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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