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THE UNSUNG HERO OF BIRDSONG, USA

Another stellar outing from the always-solid Woods.

If Opie Taylor from The Andy Griffith Show wrote a book about Mayberry’s racism, the voice would be that of Gabriel Haberlin, the 12-year-old white boy who is saved from near tragedy by Meriwether Hunter, a “colored” man.

The book opens with the event, when Meriwether, who’s begging for a job on Main Street, sees Gabriel pedal through a red light and pushes him out of the way of an oncoming car. The author’s use of the word “colored” isn’t gratuitous—the book’s setting is Birdsong, South Carolina, in 1946. The word also sets the tone of the town’s postwar racial references and bigotry, along with The Negro Motorist Green Book, segregated bathrooms, and the way Mrs. Betty Babcock, the white woman who nearly kills Gabriel, addresses Meriwether as “boy.” But Gabriel says his parents “taught me differently”—and seeks out Meriwether to offer him a job at his father’s garage out of gratitude. After meeting Gabriel’s grateful parents, Meriwether accepts the offer—to the spitting contempt of Lucas Shaw, the other mechanic, who’s white and rumored to have friends in the Ku Klux Klan. The town’s multitudinous racism keeps Meriwether from admitting where he honed his mechanical skills, lest that fact harm him and his family: the Army, where he was a member of the 761st Tank Battalion, also called the Black Panthers. How that fact affects Gabriel and Meriwether’s friendship and Birdsong itself makes for an affecting—and realistic—story.

Another stellar outing from the always-solid Woods. (afterword, bibliography) (Historical fiction. 8-12)

Pub Date: Jan. 8, 2019

ISBN: 978-1-5247-3709-2

Page Count: 208

Publisher: Nancy Paulsen Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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