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GOOD GOLDEN SUN

Contains a glow entirely of its own making. Catch it!

A paean to that huge globe in the sky.

“Good golden sun, / where have you been? / We’ve been waiting in the dark, / eager for your glow again.” Relying on gentle soft rhymes, an unseen narrator poses a series of questions to the sun. “Do you think about the scary things that sometimes lie in wait?” “Won’t you lend me some milk or meat? / Won’t you help to pull the plow?” Wenzel’s signature art, constructed out of cut paper, watercolor, acrylic, colored pencil, and crayon and digitally rendered, fits his text perfectly. The pop of the golden sun on each page serves as a distinct reminder about what lies in store. Though this isn’t an informational science tale, Wenzel’s art nevertheless highlights how energy from the sun passes from creature to creature. It might begin with a bee taking sustenance from flowers (which, notably, grow thanks to the energy of the sun). That bee then creates honey, which is eaten by a bear. After biting the bear, a mosquito is devoured by a bird, who in turn drops an egg, which is eaten by a mouse. The path of the sun’s energy—conveyed through a golden glow bathing one animal or another—never truly ceases. Readers will delight in tracing the sun’s path and all that it’s sure to contain.

Contains a glow entirely of its own making. Catch it! (Picture book. 4-6)

Pub Date: Feb. 18, 2025

ISBN: 9780316512633

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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