Heartfelt, funny, and a visual pleasure.
In Bott’s picture book, a young girl makes a big impression when a classroom chat about pets takes a wild turn.
On Lou Lou’s first day at a new school, her teacher brings a cat to class and asks the students about their own animal companions. The children enthusiastically describe their various pets, before Lou Lou surprisingly announces that her favorite is Henry—a dragon. The more Lou Lou nods and insists “I DO have a pet dragon,” the more everyone laughs. She’s initially upset about this, but the next morning, she calmly walks Henry to school, past a panic-stricken mail carrier and a startled garbage collector. In class, the dragon’s presence causes shock and mayhem. Lou Lou simply shrugs and wonders which pet she’ll bring to school tomorrow. Bott keeps the pacing brisk and focused, which will effectively hook young audiences. But this isn’t simply a delightful tale about a girl and her unusual pet—it also touches on the sting of mockery and disbelief and endearingly models how to handle such circumstances. The narrative provides ample opportunity for side discussions about feelings and keeping an open mind. Kim’s endearing, bold, and colorful illustrations, featuring wide-eyed, expressive characters, are as compelling as the text.
Heartfelt, funny, and a visual pleasure.Pub Date: Aug. 6, 2025
ISBN: 9781069613714
Page Count: 36
Publisher: N/A
Review Posted Online: Aug. 12, 2026
Review Program: Kirkus Indie
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.
A young owl achieves his grand ambition.
Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)Pub Date: March 15, 2022
ISBN: 978-0-316-31062-8
Page Count: 48
Publisher: Christy Ottaviano Books
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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