Lurid, if not original.
In this testosterone rampage, a super-studly master thief pulls off gonzo caper in post-Soviet Russia.
Having absorbed every cliché of Bond-knockoff tale-telling—the outsize villains, the world-weary cynicism, the sexy girl—debut novelist Ghelfi breathlessly parlays them all again. The girl is comely Valya, whom protagonist Volk (the name means “wolf”) meets cute as a “mud-masked Chechen fighter dwarfed by the smoking Kalashnikov she carried.” Volk is a “Special Forces wunderkind” who loses a leg in combat after weathering five years of the “assault of rapists, skin-fillet artists, flesh-burning pyromaniacs, and other assorted torturers.” The former foes become squeezes and then a sort of Hart-to-Hart on amphetamines: boy/girl desperadoes. Guns for hire, they’re enlisted by rival Very Bad Guys. Their mission impossible is to break into the Hermitage, St. Petersburg’s ultra-secure treasure trove of big-name artworks. Under a canvas by the obscure Pierre Mignard, a stunner has been discovered—one of the 15 paintings actually done by Leonardo, the only artist—since the canonization of Dan Brown—of whom popular entertainment knows the existence. Volk/Valya have to nab it. Moonlighting from his day job of manufacturing porno, Volk constructs a head-spinningly elaborate game plan, requiring Valya’s “renting an ancient four-seat Moscvitch, two Lambretta scooters, and a skiff, buying secondhand clothes and scuba gear, and arranging drop points.” Predictable betrayals, sex scenes and violence ensue.
Lurid, if not original.Pub Date: June 12, 2007
ISBN: 0-8050-8254-9
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
Overwrought and underwhelming.
After the gruesome deaths of her parents, a 16-year-old English girl sets a terrifying string of events in motion when she moves to Virginia to attend an elite all-girl prep school.
When coding whiz Ash Carlisle gets a scholarship to The Goode School in Marchburg, Virginia, she’s anxious to leave England, and a trove of bad memories, behind. After all, her abusive father’s death by overdose and her mother’s subsequent suicide would traumatize any child. Ash is determined to keep her head down and her grades up, with an eye toward college. However, her accent and outsider status paint a target on her back, and she soon catches the eye of haughty and beautiful Becca Curtis, a senior who rules the school with near impunity. But Ash intrigues Becca, and it’s not long before Ash’s social standing takes a turn, and she’s inducted into Ivy Bound, Becca’s secret society. Unfortunately, Ash’s hope for a new beginning starts to unravel when her roomie, Camille, takes a fatal header off the bell tower and dark secrets from Ash’s fraught past, including the circumstances surrounding the deaths of her parents, start clawing their way to the surface. Ellison throws in all the elements of a good gothic: a school history chock full of murder and mayhem; secret societies; and halls rumored to be haunted, but Ash swings wildly from sympathetic to insufferable. Readers cheering her devil-may-care attitude and initial resistance to mean-girl shenanigans will be frustrated to see her eventually groveling at the feet of Becca and her cronies, especially after the cruel hazing they put her through. Ellison juggles multiple narratives that weave past and present with ease, but with the book approaching 500 pages, readers may be exhausted from all the melodrama once they finally reach the messy, over-the-top denouement.
Overwrought and underwhelming.Pub Date: Dec. 30, 2019
ISBN: 978-0-7783-3077-6
Page Count: 464
Publisher: Harlequin MIRA
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Riley’s obtuseness makes her a uniquely incompetent detective, an investigative reporter constantly surprised by...
Another hot tip from her best informant, her mother, leads TV reporter Riley Spartz (Killing Kate, 2011, etc.) far from the Twin Cities to a murder among the Amish community in misnamed Harmony, Minn.
There was little enough chance of identifying the dead woman who’d been stripped naked, wrapped in a homemade quilt, and dumped in a sinkhole weeks before Josh Kueppers, 10, falls into the hole with the corpse and blows off her face with his shotgun in a panic. Since there are no photos available of the victim and the whole drama is playing out far from Channel 3’s market audience, Riley’s lecherous new boss, news director Bryce Griffin, isn’t eager to turn her loose on the story. But once the dead woman is identified as Sarah Yoder, 18, Riley persuades Griffin to send her back to Harmony, only to get predictably stiffed by Sarah’s mother, Miriam, Bishop Abram Stoltzfus and the rest of the closemouthed Amish. Only Linda Kloeckner, the Lamplight Inn owner who put up Sarah when she ran away from home shortly after committing her life to the community, and Isaac Hochstetler, who briefly employed her at Everything Amish, are willing to talk to Riley, and their information doesn’t do much to sensitize the reporter who asks her confessor, Father Mountain, whether ritual shunning by the Amish community is “worse than unfriending someone on Facebook.” No wonder a pair of attackers break into Riley’s room at the Lamplight Inn and (gasp!) cut her hair.
Riley’s obtuseness makes her a uniquely incompetent detective, an investigative reporter constantly surprised by developments less likely to ambush seasoned genre fans.Pub Date: Aug. 7, 2012
ISBN: 978-1-4516-6463-8
Page Count: 336
Publisher: Emily Bestler/Atria
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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