by Brent Hartinger ‧ RELEASE DATE: March 30, 2013
Fans of the series will revel in this smart, quirky YA novel that’s ripe with substance beyond the surface.
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In Hartinger’s (The Order of the Poison Oak, 2005, etc.) newest YA installment in the Russel Middlebrook series, Russel finds his wishes for adventure unexpectedly granted in the form of a counterculture-loving, Dumpster-diving new guy.
While instant messaging his boyfriend—Otto, who’s 800 miles away but a great friend—Russel suddenly realizes they’ve become just friends. Otto understands that Russel wants more than text on the screen, so they decide to break up. This is just what Russel needs: an opportunity to forsake love and welcome adventure. Yet not 24 hours after breaking up with Otto, and despite his claims against love and guys, Russel finds himself guiltily, and weirdly, attracted to Wade, a tight-shirt–wearing, beefy, black 19-year-old who pops out of a Dumpster. Wade is a “freegan” living off society’s refuse and discarded consumerism, though he’s not a bum or homeless. Rather, he’s smart and invigorating—just the kind of adventure Russel has been looking for. But perhaps too much of one. In true-to-character, first-person prose, Hartinger reveals the psychological and social conundrums of a lovesick, somewhat self-involved gay boy in high school. Teenage readers, homosexual or not, will find the confident, slang-heavy prose easy to understand, especially since Russel’s and his friends’ mindsets are warmly personal yet identifiable. When Russel’s life doesn’t go exactly as he expects, Hartinger shows how “the planet exploded, and the sun winked out, and gravity stopped working, and our entire solar system was sucked into a big black hole.” Along with the edifying main plotline, which will appeal to readers of any age, the well-conceived subplots won’t disappoint young readers looking for the juicy gossip that runs through the series. With Russel, there’s always drama—real and perceived—but definitely no lack of love.
Fans of the series will revel in this smart, quirky YA novel that’s ripe with substance beyond the surface.Pub Date: March 30, 2013
ISBN: 978-0984679454
Page Count: 226
Publisher: Buddha Kitty Books
Review Posted Online: July 22, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Review Program: Kirkus Indie
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by Kobi Yamada ; illustrated by Gabriella Barouch ‧ RELEASE DATE: Sept. 15, 2019
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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