by Brett Curzon & illustrated by Brett Curzon & developed by Interact Media ‧ RELEASE DATE: Feb. 3, 2012
Despite its good intentions, readers may find Bill’s message of individuality and acceptance lost in the catalogue of...
An interactive and funky text transmits the message that it’s OK to just be yourself.
Eager to prove he’s not just another fish in the sea, Bill the Fish likes to say that he is “happy being me” and begins by highlighting his quirky habits, like eating breakfast for dinner and enjoying painting with his snail friend, Fred. Bill’s habits and characteristics are then contrasted with a motley crew of his fellow sea creatures, which range from a prawn with a beard to a stylish jellyfish called Kelly. The text features an easy-to-follow narrator whose clipped British accent adds to the silliness of the short and simple rhyming text. Unfortunately for those who chose to follow along with the printed text or read to themselves, the type used presents a confusing and inconsistent mix of upper- and lower-case letters. Interactive elements include zany sound effects (some of which make sense, while others don't), animated characters that are activated by tapping and a few characters that can be “dressed — up” by dragging and dropping elements like hats and beards. Bright, colorful painted illustrations pair well with the text, but renditions of the characters vary in quality, providing a sense of inconsistency that can be distracting.
Despite its good intentions, readers may find Bill’s message of individuality and acceptance lost in the catalogue of characteristics. (iPad storybook app. 4-8)Pub Date: Feb. 3, 2012
ISBN: N/A
Page Count: -
Publisher: Interact Media
Review Posted Online: March 19, 2012
Kirkus Reviews Issue: April 1, 2012
Share your opinion of this book
More by Andria Warmflash Rosenbaum
BOOK REVIEW
by Andria Warmflash Rosenbaum ; illustrated by Brett Curzon
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
Share your opinion of this book
More In The Series
by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
More by Jason June
BOOK REVIEW
by Jason June ; illustrated by Loren Long
BOOK REVIEW
by Amanda Gorman ; illustrated by Loren Long
BOOK REVIEW
by Lisa Wheeler ; illustrated by Loren Long
More About This Book
SEEN & HEARD
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Share your opinion of this book
More In The Series
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
More by Adam Wallace
BOOK REVIEW
by Adam Wallace ; illustrated by Christopher Nielsen
BOOK REVIEW
by Adam Wallace ; illustrated by Andy Elkerton
BOOK REVIEW
by Adam Wallace ; illustrated by Andy Elkerton
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.