Children may enjoy the silliness and rollicking rhythms despite a few flaws.
This second volume of rhyming verse for children offers humorous takes on various situations.
In this sequel, Fleishman (Twist and Shout!, 2017, etc.) again provides simple-to-understand comic verse for young readers. Don’t be put off by the book’s title; the 20 poems collected here don’t focus on gross-out humor. Many are pieces that depend on Harston’s (Twist and Shout!, 2017, etc.) bright, cartoonlike illustrations, which show diverse characters, for necessary context. For example, the first verse, “Neighbor,” is merely two lines long: “I just met my neighbor. He’s a very friendly guy. / He has 20 ovens. Gee, how strange. I wonder why?” Speculation is put to rest on the facing page, which shows a chef holding a tray of freshly baked muffins. Similarly, the four-line “Ice Skating” advises readers to “never skate the inner part,” which makes sense only with the image, depicting a shark’s fin emerging in a hole near center ice. Sometimes, though, the author and illustrator miss a beat; a crocodile who gets a birthday gift of Crocs is funny, but the picture reveals only the wrapped present, not the juxtaposition of croc/Crocs. Fleishman at times adds a lesson to his verse, but not always successfully. “Butterfly Catchers,” for example, anthropomorphizes the insects, teaching incorrect biology and making young entomologists feel guilty for the wrong reasons. (Some of the creatures are endangered, but there are no mother and baby butterflies whose hearts can be broken.)
Children may enjoy the silliness and rollicking rhythms despite a few flaws.Pub Date: Nov. 8, 2018
ISBN: 978-1-73247-703-2
Page Count: 56
Publisher: FBT Poetry, LLC
Review Posted Online: Sept. 27, 2018
Review Program: Kirkus Indie
BOOK REVIEW
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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