by Brian Anderson ; Liam Anderson ; illustrated by Brian Anderson ‧ RELEASE DATE: March 18, 2014
Delicious! Especially when decorated with eyeballs. (recipe) (Picture book. 4-8)
It’s hard to tell which came first, the story or the cupcake, but either way, this picture book is a treat.
Starting with the title pages, the atmospheric mood is set with a murky purple landscape. A sign that reads “kitchen” points readers down a ladder into a hole, where four monster chefs try to appease their king’s appetite. The “horribly horrible” king has always eaten eyeballs and ketchup (youngsters will surely squirm and scream at this), and the simple text gets right to the point: The king wants something new to eat. He sends each chef in a different direction, threatening to eat them if they fail to find something to tantalize. The white background makes it easy to focus on the cartoonish monsters and their expressions. Despite tentacles, claws, bat wings, and in one case, lots of eyes, the chefs look rather dear. Children will empathize with them, especially after three are duped by would-be dinners. A rabbit threatens: “If you eat a rabbit, you turn into a rabbit. That is why there are so many of us.” The fourth chef comes up with an ingenious solution—he brings back a…chef…who makes…cupcakes.
Delicious! Especially when decorated with eyeballs. (recipe) (Picture book. 4-8)Pub Date: March 18, 2014
ISBN: 978-1-59643-808-8
Page Count: 34
Publisher: Roaring Brook Press
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Maudie Powell-Tuck ; illustrated by Mini Grey ‧ RELEASE DATE: July 7, 2026
A top-grade creepy/funny addition to the spooky-picture-book canon.
Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?
“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.
A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)Pub Date: July 7, 2026
ISBN: 9781664300972
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
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