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BEST AMERICAN GAY FICTION 1996

A snappy, of-the-moment collection of 21 stories or novel excerpts from the usual gay suspects—all men—edited by Bouldrey (Wrestling with the Angel: Faith and Religion in the Lives of Gay Men, 1995). Imagine an unrisky 1996 best-of-queer-fiction list, and this anthology, the first in an annual series, is probably what would emerge: Bouldrey has Edmund White celebrating Paris (``His Biographer''), Scott Heim writing about kids in Kansas (``Don't or Stop''), Michael Cunningham on pubescent whores and wise drag queens (``Cassandra''), and Christopher Bram summarizing the nature of sexual extortion (``Posterity''). The stories of R.S. Jones (``I Am Making a Mistake'') and Jason K. Friedman (``The Wedding Dress'') are luminous, the former dealing explicitly with AIDS, the latter with a surreal event that leads to an unplanned sexual awakening. Dick Scanlan weighs in with ``Banking Hours,'' about a young man who experiences his first betrayal and begins to contemplate the inevitable flight from his straight family. Robert GlÅck's ``The Early Worm'' adopts an iffy experimental stance that holds few surprises in its obscure transformations (``Individual voices take big chances,'' writes Bouldrey in his windy introduction, but that's not always demonstrated here), and Jim Provenzano's ``Split Lip'' confuses brevity with incision. Adam Klein's ``The Medicine Burns,'' however, represents the collection at its finest: A boy suffering from acne gets a multifaceted education from an aesthetically ``superior'' fellow student. The multicultural contribution is supplied by Ernesto Mestre, along with the purplest prose and breathiest title (``His eyes were...the color of boiling honey'' comes from ``Monologue of Triste the Contortionist''). Joe Westmoreland, in ``The Spanking,'' offers a standard coming-of-age tale, and Michael Lowenthal covers the serious postHIV positive, postAIDS boffing (``Going Away''). A thoroughly middle-of-the-road gathering that doesn't utter the last word but still manages to canvass the year in gay scribbling.

Pub Date: Sept. 5, 1996

ISBN: 0-316-10320-9

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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