A learned, spirited foray into what makes a sentence tick.
Dillon follows up on his last book about essays with one on the briefer, “slippery sentence.”
These chronologically arranged picks from the 17th century to today are the “few that shine more brightly and for the moment compose a pattern.” The author plumbs biography, autobiography, and history to add context and background, with particular attention to each author’s literary style. Dillon follows a road taken earlier by the French critic Roland Barthes, the “patron saint of my sentences,” explicating the pleasure of writing about writing and close reading, puzzling over the “Two colons, two sets of parentheses?” in Barthes’ sentence. The title of the book is inspired by a sentence in Gertrude Stein’s Tender Buttons that uses the word “suppose” nine times. Dillon’s intriguing inquiry begins with the briefest of sentences, from Hamlet, as the prince dies: “O, o, o, o.”—“nothing more or less than the vocal expression, precisely, of silence.” Most of them are much longer. Dillon also includes Charlotte Brontë’s “The drug wrought,” from Villette. Taken from a sermon shortly before his death, John Donne’s sentence is a “paratactic heap of language” while Thomas de Quincey’s “demands patience; it is like waiting for a photograph to develop.” Elizabeth Bowen’s employs a “style by turns exact, easeful and bristling.” James Baldwin’s sentence, by way of Norman Mailer, has Dillon pondering over Baldwin’s use of “ofay.” Annie Dillard’s sentence about an eclipse, “with its central colon, feels balanced but loose, centrifugal and strange.” In Korean American artist and writer Theresa Hak Kyung Cha’s sentence, Dillon hears echoes of Samuel Beckett, and an imperfect translation of Swiss author Fleur Jaeggy’s sentence gives Dillon fits. Near the end, Dillon writes about how he tried to take notes on Anne Carson’s sentence but only came up with an “ambiguous doodle.”
A learned, spirited foray into what makes a sentence tick.Pub Date: Sept. 22, 2020
ISBN: 978-1-68137-524-3
Page Count: 176
Publisher: New York Review Books
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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