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SPUD SWEETGRASS

An Ottawa teenager nabs a polluter and sees a hostile teacher served justly embarrassing desserts in this offbeat farce. Suspended from school for swearing at a contemptuous new teacher, John ``Spud'' Sweetgrass still has his job, selling ``chips'' from a curbside wagon. Smelling an all-too-familiar odor- -rancid cooking oil—at a polluted beach, Spud suspiciously follows Dumper Stubbs, a slovenly delivery man who services local restaurants and chip-wagons, and witnesses him emptying oil into a storm drain. Spud blows the whistle—and loses his job. Doyle's present-tense, slapdash delivery and heavily caricatured adult characters make for a comic-book story, contrived but nonstop; from the high hilarity of a volleyball game played without net or ball, to the exciting climax, in which a vengeful Stubbs rams Spud's wagon, readers will keep turning the pages. By the end, Spud's fortunes have turned as golden as the fries he serves; his boozy and withdrawn mother turns over a new leaf, he's ``unfired,'' back in school, a local hero with a new girlfriend, and the local newspaper runs a photo of his teacher and a bevy of strippers. Replete with laughs, tears, and twists, plus a young hero to admire and a cardboard villain to hate, this will slide down effortlessly, like all proper snacks. (Fiction. 10-12)

Pub Date: March 1, 1996

ISBN: 0-88899-164-9

Page Count: 140

Publisher: Groundwood

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1996

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A GIRL, A RACCOON, AND THE MIDNIGHT MOON

The magic of reading is given a refreshingly real twist.

This is the way Pearl’s world ends: not with a bang but with a scream.

Pearl Moran was born in the Lancaster Avenue branch library and considers it more her home than the apartment she shares with her mother, the circulation librarian. When the head of the library’s beloved statue of poet Edna St. Vincent Millay is found to be missing, Pearl’s scream brings the entire neighborhood running. Thus ensues an enchanting plunge into the underbelly of a failing library and a city brimful of secrets. With the help of friends old, uncertainly developing, and new, Pearl must spin story after compelling story in hopes of saving what she loves most. Indeed, that love—of libraries, of books, and most of all of stories—suffuses the entire narrative. Literary references are peppered throughout (clarified with somewhat superfluous footnotes) in addition to a variety of tangential sidebars (the identity of whose writer becomes delightfully clear later on). Pearl is an odd but genuine narrator, possessed of a complex and emotional inner voice warring with a stridently stubborn outer one. An array of endearing supporting characters, coupled with a plot both grounded in stressful reality and uplifted by urban fantasy, lend the story its charm. Both the neighborhood and the library staff are robustly diverse. Pearl herself is biracial; her “long-gone father” was black and her mother is white. Bagley’s spot illustrations both reinforce this and add gentle humor.

The magic of reading is given a refreshingly real twist.   (reading list) (Fantasy. 10-12)

Pub Date: Jan. 7, 2020

ISBN: 978-1-4521-6952-1

Page Count: 392

Publisher: Chronicle Books

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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POWERLESS

From the Supers of Noble's Green series , Vol. 1

Resembling a Golden Age comic without the pictures, this tale pits a group of small-town children with superpowers—call them “preteen titans”—against a shadowy menace that robs them of those powers on their 13th birthdays. Coming to town with his family to care for his dying grandma, Daniel quickly spots his neighbor Mollie and her friends performing incredible feats. Soon he’s in their confidence, as they demonstrate combinations of super-speed, super-strength, enhanced senses and the ability to turn invisible. All of them can also hear the clock ticking, however. Gifted not with superpowers but a sharp mind and a fondness for Sherlock Holmes stories, Daniel sets out to discover how and why his new friends, like generations of their predecessors, are being robbed of their abilities. Where those abilities come from never enters in, but the obligatory wily supervillain does, leading to a titanic climactic battle. Cody wears his influences on his sleeve, but has some fun with them (one lad’s “power” is a super-stench) and crafts a tribute that, unlike M.T. Anderson’s Whales On Stilts (2005), is more admiring than silly. (Fantasy. 10-12)

Pub Date: Nov. 10, 2009

ISBN: 978-0-375-85595-5

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2009

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