A lovely and odd take on a time many of us would just as soon forget.
Peter is an average eighth grader, except that his nipples are speaking to him.
It must be said that newcomer Francis has found one of the more ingenious, bizarre, and creepily affecting metaphors for this time of life. At the beginning of eighth grade, Peter Paddington—already a few strikes behind in the popularity game, being overweight and chronically insecure—has a new problem to contend with: his nipples have popped out. They were now “round and puffy and not the two pink raisins they used to be.” Not only that, but the nipples are also speaking to him, telling him not to be such a wuss, stand up for himself, and all those things that scared young boys hate to hear. Terrified that people will notice the change in his body, Peter wraps tape around his chest to keep things hidden. Everything that’s going on with Peter—from his nipples to the hair that keeps sprouting horridly all over his body and the powerful feelings he has for the handsome and much more popular Andrew Sinclair—is perfectly normal, of course, but to a frightened and lonely teenager it’s like living inside a bad horror movie. All this could be helped if Peter had anybody to talk to about things, but his only real friend is Daniela from across the street, who’s too busy raging against her parents to pay Peter any mind. His smothering mother keeps imploring him to go make a “boy friend,” and his sympathetic father is hardly the communicative type, leaving Peter to sort himself out. Francis has a true gift for the roiling mental interior of adolescence, and his refusal to cop out with false dramatics makes this an uncommonly honest piece of work.
A lovely and odd take on a time many of us would just as soon forget.Pub Date: Aug. 20, 2004
ISBN: 1-931561-76-1
Page Count: 284
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
PERSPECTIVES
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