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DRACULA'S BRUNCH CLUB

A friendly, funny vampire story with a little bit of bite.

If there’s one thing that can bridge the human/undead divide, it’s donuts.

Upon returning from a successful “worldwide jelly donut tour,” Count Dracula, vampire and world-class baker, is outraged to learn that his human-inclusive brunch club has been overtaken by the towering, glowering vampire Constantine, who’s banned people. Worse, Dracula’s entire store of “the crimson-red, blood orange jelly all vampires crave” has been raided. Local farmers have no blood oranges—a blight has destroyed the crops. This proves disastrous even as Dracula tries to regain his brunch-hosting ground—kale is no substitute for delicious, energizing fruit jelly. The shortage also jeopardizes his standing with his crush, the human Elena, since he’s promised to donate a year’s supply of jelly donuts to her charity auction to help sick children. Something must be done—and it might just involve blood. After all, Count Dracula is a vampire. This book will greatly appeal to young readers looking for comics with a little edge: The gore is mild and cartoon-silly, and there are plenty of jokes to lighten the mood. The story moves at a measured pace, and the fun, kid-friendly artwork adds depth to the narrative. Gaybba’s color palette predominantly contains cool, moody tones that make the occasional spots of red—mostly jelly and blood—pop. Human and vampire characters have skin in varying shades of blue and purple.

A friendly, funny vampire story with a little bit of bite. (recipes, evolution of a page, alternate covers, character development) (Graphic paranormal. 9-13)

Pub Date: Aug. 12, 2025

ISBN: 9781637158401

Page Count: 224

Publisher: Oni Press

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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THE SCREAMING STAIRCASE

From the Lockwood & Co. series , Vol. 1

A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.

Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.

Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.

A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)

Pub Date: Sept. 17, 2013

ISBN: 978-1-4231-6491-3

Page Count: 384

Publisher: Disney-Hyperion

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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EMPTY SMILES

From the Small Spaces series , Vol. 4

A thrilling and chilling end to a standard-setting series.

Arden’s quartet of seasonal horrors concludes with sinister clowns at a carnival.

A dry summer in East Evansburg sends friends Brian, Coco, and Phil to Lethe Creek to cool off. But there’s been an Ollie-shaped hole in everyone’s lives since the dastardly “smiling man” took her. The smiling man releases one of his other trapped children to deliver a message: they’ll need three hidden keys to win Ollie back. Meanwhile, Ollie—traveling with the smiling man and his carnival—tries to figure out a way to escape him on her own. When the carnival moves to East Evansburg, the stage is set for the final showdown. By day, it’s a fun-filled paradise. By night, the carnival’s clowns hunt wayward children to turn into dolls. Without the keys, Ollie and friends will be next. While predatory clowns and humans-turned-dolls are far from new territory, Arden once again flexes her gift for atmospheric writing to envelop readers in the story’s eerie mist. The expert use of pacing and sensory cues—sights, sounds, and smells—helps heighten the genuinely terrifying chase scenes. Chess matches and conversations between Ollie and the smiling man humanize the shape-shifting villain, exposing just enough of his motives to wrap up unanswered questions. Earlier volumes establish that most characters are White and Brian is Black.

A thrilling and chilling end to a standard-setting series. (Horror. 9-13)

Pub Date: Aug. 9, 2022

ISBN: 978-0-593-10918-2

Page Count: 256

Publisher: Putnam

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

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