by Brian Hare ; Vanessa Woods ‧ RELEASE DATE: Feb. 5, 2013
A well-presented investigation into how dogs came to be.
Hare (Evolutionary Anthropology/Duke Univ.) and Woods (Bonobo Handshake: A Memoir of Love and Adventure in the Congo, 2010) delve into the rich cognitive world of dogs and how they domesticated themselves through natural selection.
Dogs are the authors’ special subjects—Hare founded Duke’s Canine Cognition Center, and Woods is a research scientist there—and they examine the scientific studies of dogs' communication skills (from visual signals to categorization), their empathy and cooperative talents, between their ability to infer, find solutions and display flexibility. But one question the authors tackle with the greatest vigor: Why the dog at all? If dogs evolved from wolves—which were threats and competitors of humans in the carnivore guild—why did domestication become an option? What forces drove it? Hare and Woods clearly reintroduce readers to the old garbage-eater-on-the-outskirts-of-camp theory of wolves and man finding common ground but from a very specific angle. It was the friendliest of the wolves, those that could coexist with humans, that benefitted from this stable food supply. A relaxed wolf, one that had come to understand the communicative intentions of human behavior, was a wolf with more offspring. It wasn’t long before wolves started to change physiologically. Their breeding cycles changed, their heads became smaller, they became distinctive to the human eye and could be ignored or encouraged. “Humans did not set out to domesticate wolves,” write the authors. “Wolves domesticated themselves. The first dog breed was not created by humans' selection or breeding but by natural selection.” Interestingly, the same anatomical signatures that differentiate dogs from wolves are seen in bonobos and chimpanzees and humans and their forebears.
A well-presented investigation into how dogs came to be.Pub Date: Feb. 5, 2013
ISBN: 978-0-525-95319-7
Page Count: 384
Publisher: Dutton
Review Posted Online: Nov. 3, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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by Brian Hare & Vanessa Woods
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Helen Macdonald ‧ RELEASE DATE: March 3, 2015
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
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An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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