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ADDERALL BLUES

An astute, if sometimes-undisciplined, remembrance.

A personal memoir recounts a young man’s battle with attention deficit hyperactivity disorder, as well as the drugs he used to tame it.

Debut author Robinson attended the prestigious Ranney School in Tinton Falls, New Jersey, but started to experience academic trouble in the fifth grade. He perennially questioned his own intelligence, and although he tested well, he was beset by the anger, frustration, and self-recrimination that resulted from chronic underperformance. The author was eventually diagnosed with ADHD, and while he was at Tulane University, he says, he was introduced to Adderall by his girlfriend. Robinson had already sought a reprieve from chronic restlessness in alcohol with predictably unspectacular results, and Adderall, he felt, was like a miracle—and he became woefully dependent upon it. But even after he confessed to his therapist that he’d developed an addiction, he was prescribed it yet again. After he manically pledged to go on a hunger strike to protest American troops in Iraq, his father called paramedics to have him hospitalized. Later, the author would wrestle with another drug problem, this time with Ritalin, after a failed attempt to get a show produced in Hollywood. Robinson finally repaired his life, learned to manage his ADHD, started his own debt-settlement business, and got married. Although this book is principally a memoir, the author also discusses his reservations about the psychiatric community’s reliance on medication to treat cognitive disorders, as well as the American educational system’s failure to accommodate the needs of afflicted students. Robinson’s remembrance is an intimate one, brimming with courageous candor and bracing self-critique. He intelligently describes the alienation he felt, due to his condition: he was mortified by his underachievement and envied “neurotypicals.” What emerges is a poignant self-portrait of a rather young man (he was 23 years old when he wrote this book) who’s exceedingly talented but just as angry—not just about his condition, but also at the lack of resources available to assist those who have it. A philosophy major in college, Robinson is accustomed to plumbing the depths of meaning in life, and he often does so with charm and verve. Problematically, though, the prose can be clumsy and leaden, with real insights buried in interminable sentences, often marred with mistakes: “In the utilitarian point of view of our nation’s school system, the education that maximizes the number of students who benefit from a curriculum geared toward the predominant a [sic] learning style are ultimately responsible for minimizing the potential of students with different cognitive styles.” Also, the author’s youthful spiritedness can also come across as callowness at times; he’s peremptorily dismissive of religion and too often describes traditional education as an exercise in herd-mentality brainwashing. Further, while his criticisms of higher education and psychiatry are trenchant, he offers little in the way of substantive alternatives. One may forgive Robinson for such unripe reflections, given his age, but it’s also hard not to hope for a more seasoned sequel further down the line.

An astute, if sometimes-undisciplined, remembrance.

Pub Date: July 31, 2017

ISBN: 978-1-63393-431-3

Page Count: -

Publisher: Koehler Books

Review Posted Online: Aug. 7, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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